Chromosome Damage (work in progress, part 3)

(41)

The sideways shift and snip

Clatters across the sand.

It’s easier to move out of the way—

Trouble passes, one remains

To proceed with plodding step

Along one’s path.

(3)

Time’s slow arc

(34)

All the variables led here

As inevitable as this morning’s

Sun striking the sycamore’s white

Bark; no god laughs as our choices.

(14)

A left, a right, a yes, a no:

Life’s crushed to binary.

(16)

I close an eye

To see the obvious

Connection: the moment.

(15)

I stumble step across a bridge

Swinging above a crevasse.

(21)

No saints guide us home,

Nor care how far we fall.

The emptiness opens

Like an aura.

(43)

This morning everyone sleeps in

As fog drifts between the trees

Near the creek and the gray sky.

The last brown leaf has fallen

From the sycamore; the solstice

Passed under a full moon.

(30)

Dusk and dawn, progressive

And simultaneous, flow through

The landscape. Yet, we think

Our futile actions have consequence.

(19)

Like you,

Light bends

Along each wave’s edge

Into separate

And singular parts.

Chromosome Damage

(in progress)

DNA string against black with clipping path

(23)

Lights break auras

As night deepens

The rain. The solstice

Grows closer through the dark;

Grim days shorten.

(28)

Half-way back

To summer’s long heat—

In afternoon hours,

It hurts to step

Outside as if someone

Near waits with knives.

(14)

Patient enough now

To watch all this unfold

Into spring.

(40)

Outside, another cold day:

Most of the leaves have fallen

From the sycamore outback;

Its white bark stands in contrast

To the stark grey sky. Beauty

Lives with our view.

(43)

Nietzsche said, among other things,

We experience only ourselves—

Even when I shift toward you,

It remains me who must see

The shadow which falls starkly

Between us on the floor.

(36)

If no one hears the Eliot allusion,

Does it make a sound?

Or should one pretend

A studied nonchalance

To carry one through the late afternoon?

(39)

Thus, an old ritual snickers

To a close, the porch lights

Turned on, the curtains

Drawn. I feel safe,

Less exposed, contained

With the pattern—

A spider moves toward motion.

(34)

We’ve woven our disparate dreams,

And become subsumed beneath the totality

Like ocean waves rolling upon themselves

Far from shore.

(28)

My anger sits at a distance,

It does not go away—

It whispers discontent

Like whip’s end striking wet flesh.

(41)

Ubiquitous as fear,

The air tightens

Without provocation.

Yet, still we sing,

Sing our song,

As if redemption

Can be gathered

Like bags of wet cotton

Blotched with blood.

Parasite

I project myself onto a new world

Which is not mine, but simply becomes mine.

These become moments when something happens

And nothing happens. I exist tangled

In marginalia, a handwriting

Stitched upon the edges. Another book

Becomes a palimpsest to my tired thought,

A filter to strain away the slither.

Roman priests examined the intestines

Of animals slaughtered for sacrifice.

To devine auguries in the moment,

When something happened, and nothing happened,

They would take the eviscerated signs-

The clots of blood, the bits of flesh, as truth.

(November 30, 2018)

Archeology of the Present

abandoned-church-with-bones-displayed-from-crypt-below--70650

like so many broken bones

scattered on a shaman’s floor

wait to be puzzled back

into our imaginations

these are the answers

I do not know as these

are the questions I am

too frightened to ask

 

the fragments are small and soft

the edges vague indeterminate

how they are to be returned

whole waits troubled for night

as each day’s tenuous relation

struggles to piece the past entire

(November 21, 2018)

Obsessive Voice

hand-holding-1082154_960_720

 

He picks up a rock,

He puts it down.

 

He picks up a rock,

He puts it down.

 

He tells himself:

Don’t pick it up;

 

He picks up the rock,

He puts it down.

 

He tells himself

He is stupid—

 

He tells himself

Not to say such things.

 

He tells himself

He is stupid

 

For saying such things,

Then says them again.

 

He tells himself

Don’t pick it up.

 

He picks up the rock,

And puts it down.

 

(October 15, 2018)

 

 

 

 

Gretel Lost in the World

170511_TE_PortlandPD.jpg.CROP.promo-xlarge2

no dragons burn and pillage

even when lost in metaphorical

forests. the children’s screams

in the candy houses next door

are real enough not to be just

symbols in a jungian melodrama

analyzed casually over a cup of tea.

there are no stories to hide within.

the steel-eyed king and queen

handing down impartial justice

never existed anymore than the gods

who were used to justify raw power.

Whereas the black-helmed men

with polished shields and truncheons

still freely move down city streets

searching for someone else to kill.

(October 12, 2018)