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No One Watches the Train Fall From the Broken Bridge (a reading)

His problem has nothing to do with the train which travels steadily through the night. Everyone is content, if not happy, on the train, reading opinions they already agree with, drinking champagne, eating delicacies imported from foreign countries. They pretend they do not like the food, but wish they could eat as well at home.  All of the people on the train are facing the same direction, which gives them all a strange comfort.  A few of them look out the windows, but it is too dark to see the trees in the forest. It all follows along so logically, like a math problem in high school where rats scuttle east over well-polished wing-tips at a variable rate of three feet per second. They stop randomly to nibble on discarded bread crumbs dropped with nonchalance by the passengers on the train. Meanwhile the train travels south at a consistent seventy-three miles per hour directly toward the crumbled bridge which once traversed a chasm one thousand feet deep and a mile wide. There is no question at the end that one must answer. However, there is an answer; there is always an answer. No one watches the train fall from the broken bridge. No one hears the explosions as it crashes into the rocks below, or the last cries for help of those who are momentarily still alive.  

On a trail nearby the train tracks, a monk moves through the dark as if he has been here before, thinking vaguely of other things. He pauses, peers into the dark, then wanders off along his way. The monk’s tangentially wandering mind is not enough to mark the train’s passing beyond the silence which lingers in the mountains for several hours after the sun has risen again.

(July 6, 2018)

limbo (a reading)

limbo

from a work in progress: “process, not a journey” (61)

months of laconic weeks drift

past as the centuries two-step

a dance macabre about the village

square like old lovers late at night

dance slowly arms entwined 

in a practiced grace

your death’s not important 

to them any more than mine 

only this dance matters

the horror of it lies 

in the death head’s grin

which does not pretend 

to hide its deception 

there is no skin to map 

its laughter into flowers

across our blind eyes 

no dead platitudes to act 

as balm for our world in flames

(June 14, 2020)

Infinite Watched Pot (a reading)

Infinite Watched Pot

“That is, if you write it has it happened twice”

—Michael Palmer, Notes for Echo Lake

I woke and now it is now; the sun’s setting.

Was the writing the thing that happened?

Would today happen without being written?

Are they two events or one?

I see something—

like a car crash,

or water boiling on the stove.

One’s disconnected,

one’s intentional, possibly

even a causation; for example;

I’m hungry, so

I hop in the car for a burger.

She was in a hurry. It was

raining. She slams through a yellow light.

The driver in front of me dies

on the wet street. Or,

I’m still hungry. I hold dry

pasta knowingly, and watch

as the tiny bubbles form

on the bottom of the pot.

Did anything happen?

I am hungry, and will be

each time you read this,

even if I was the driver

who died, or I just wrote

it down; even if something

more than this

was in my thoughts

as I waited for water

to boil.

(May 3, 2020) 

my face blurs as well (a reading)

my face blurs as well

from a work in progress: “process, not a journey” (57)

i walk out into the brush

into a world not home

and there in the stream 

in the moon-bright sky

i look from mirror

to water to window

and the air

blurs what I see

when I read it blurs

everything i’ve read

and like memory it becomes

what I know now

what I knew then

the story is seen

as what it is

always present

always a lie

(April 25, 2020)