• II. Learning to Speak, (high school)

    by

    my tongue was a fish flopping
    for water on the river bank
    the hook still caught in its mouth

    my words clotted
    before they could emerge
    from the open wound of my mouth
    I choked on them, drowning.

    Girls did that to me – –

    But I wrote – –

    words had seduced me
    seduced me into belief
    in their power to transform
    so much so I believed
    their power was mine
    a transubstantiation
    like water into wine

    I wrote to them
    to Monette, to Yolanda
    long letters and poems about anything
    a flash flood of teen obsession
    bravado and love

    I meant it all,
    without any regard for them
    the words floundered on the page
    without any one to listen
    a mouth opening and closing on air

    (November 2010)

  • I. Valentine Party, Third Grade

    the words danced for me
    simple, direct
    “I love you”
    block printed on the back
    of the folded cartoon character

    I meant each word
    deeper than I knew
    as I wrote them
    then placed the white envelope
    in her valentine mailbox

    during the party
    as Mrs. Nugent passed
    around some mom’s cupcakes
    Kathy opened my valentine
    my heart formed from words

    she looked at me across the room
    smiled into my blush
    then showed my card, my words
    to Ronna, Ronna
    of the kool-aid stained mouth

    and laughed- –
    laughed at my words
    my heart
    my small voice
    I was speechless

    (November 2010)

  • Tension

    by

    The stakes pounded down- –
    each one selected
    by hand, a careful
    weighing, a choosing
    testing the heft,
    the wood’s grain

    like muscles stretched
    across the tensile
    strength of bone.
    Each point cut fine,
    each sharp enough
    to pierce rock’s heart.

    Each stout enough
    to hold the ropes
    taut. The tent’s
    canvas stretches
    like aged skin or
    a membrane protecting.

    The tent also protects
    from these constellated
    beliefs, from the traps
    we set for ourselves.
    The straining canvas
    calms the star’s fury.

    The open sky
    brings fears scattered
    like stars at night:
    small troubles
    tremble their flames
    on the periphery.

    The fear, always the fear
    weighs down on me – –
    not a specific fear
    like being eaten by lions
    my guts strewn for miles
    across wastelands – –

    but that too.
    Obliteration contends
    with deadlines and what
    should be said
    to the maid:
    All creates tension

    like the taut canvas
    pressuring the tent’s
    ridge pole which lifts
    against the lines’ pull.
    There at the point of
    tension, the cusp,

    the meniscus,
    the waterline
    lifting above the glass,
    above the edge,
    there is life, always
    on the edge of collapse.

    (1996)

  • Listening to the Dead

    by

    You must listen closely,
    or you’ll miss what they say:
    The mutterings and mumblings slip
    into a slurry of words- – the mad mouthings
    of manic depressives, always verging
    on comprehensibility
    like AM radio late at night-
    signals step on signals- languages blend
    like the babble of newborns,
    all sounds being equal in a mosaic of meaning.

    So, you must listen closely
    for each grain of earth,
    each mote of dust
    screams out a significance
    when listening to the dead.
    Ashes to ashes, dust to dust:
    Plato lurks among the shifting shadows;
    Blake, a sparrow among the crumbs, twitters
    endlessly about angels prowling the streets – –
    And they are there:

    the angels,
    with Blake,
    and Plato,
    and Buddha,
    and Christ,
    and the radiant demons
    dancing like houri before our eyes,
    but we do not see:
    the streets are crowded;
    their whispers fill the air

    with a cacophony of chaos
    which belies the calm of our
    comfortable complicit complacency.
    Like a sly huckster selling cars,
    the stars wink at our existence.
    The past is present.
    The future hides now.
    Each star reveals itself
    as it was; each star is
    no longer where it is.

    Multiple visions of time exist simultaneously:
    Four years, one hundred, millions;
    all encompassed now in your eye.
    It is easier to order the space around us,
    to assume that all is homogeneous,
    to ignore the incongruities that are more
    consistent than any superfluous system
    we can create from the swirling air.
    In contradiction, we can’t escape the speech
    of the dead. The words, despite their deathly

    silence, trip and clatter from the city walls.
    As we move through the vagaries of the day,
    like birds through the rainforest’s canopy,
    they echo between the pad and clomp
    of our feet like hail across a tin roof,
    or bones cast from a fortune teller’s hands:
    auguries hatched in the flesh of the past,
    like maggots, flowering into what we will
    become, a predestination careening beyond
    any control except spasmodic fluctuation.

    What they say, whether we see the mouth
    move or only the echo of the echo,
    defines more than our personal will;
    inside or outside is of no consequence;
    the wall still determines where you stand.
    The universe expands into itself,
    how are we different, who are we to resist?
    The meaning changes with each hearing- –
    who spoke first, who after,
    the repetitions and refrains.

    Each voice shades the one before
    and the one after, which in turn cuts
    another facet across the diamond’s edge.
    The light shifts creating new shades
    in the shattering prisms of thought.
    The more light’s brought to bear
    the darker grows the night needed
    to define, divine the edge.
    To see through to there, ineffable
    and ever in flux, we must first,

    like the bird between branch tip
    and leaf pierce through here, slip through
    the words, the tumblers as they click,
    slip then drop into place frozen forever.
    so through this pit pattering,
    this slip stream of speech,
    we plait our pattern between the dead,
    obliterating regret and desire
    in order to attend to the
    impossibly mundane now – –

    all to protect ourselves against
    the sublime profundity,
    the traps and warm comforts
    embedded in our language:
    the trails leading deeper
    into an ever evolving wood;
    to save ourselves from,
    to exist in at least a contrapuntal
    harmony with, the horror of thoughts
    which dominate through ubiquity.

    (March 2006)

  • The Question Echoes an Answer Back

    by

    from a distance all edges blur
    like the adirondacks and the sky
    twenty miles across the valley

    years pass and the day to day
    travails tumble into dust
    what was for dinner, who said what

    today like yesterday was a day
    coffee newspaper errands then home
    chains of assumption click closed

    are you happy now compared to when
    or has acceptance lulled your expectations
    into a mere semblance of desire

    (May 2006)

  • Problem/Solution Patterns

    by

    The lies we tell each other strand us
    to live out what each other perceives;
    I am old and afraid of falling
    in love, afraid of fooling myself
    yet again. Fear, a faithful companion,
    hovers about my decisions like air.
    I take a familiar breath and sigh;
    where in this miasma exists any hope?

    Before I can even speak of conciliation,
    as if I could trust myself for an answer,
    I first must strain out the duplicitous
    viewpoints between which I hide myself
    since self-serving rationales fall like hail
    pummeling my soul with a vacuous unction.

    (October 2010)

  • Secrets of the World

    by

    One always lives
    in the ruins

    civilization’s cascade
    a spring wells up
    and flows away

    one picks up a fallen stone
    examines the intricate
    decorations

    build something,
    anything,
    renew anew

    (November 2006)

  • Among Schoolchildren

    by

    I work in a field
    that requires patience
    for things to grow.

    Today I moved rocks
    from the rows to the edges
    defining a sacred space.

    Yesterday, I turned the earth
    folding under new compost
    with last year’s dead plants.

    Tomorrow, I sow seed
    casting hope for the future,
    then wait for rain.

    (October 2010)

  • Abstract for An Unstated Thesis

    by

    The consequences of possibility,
    with their endless openings of doubt,
    dance a slow throb about my desires.
    Fear, like a flower, unfolds walls of intimacy,
    preventing a breach in the otherwise open discourse
    of the day to day exchanges of work and home;
    where to speak outside of myself is to court oblivion.
    In this abstraction of my life I struggle,
    through an ever-thickening swamp, for a meaning
    to ground myself in. A meaning which is not just another
    platitude, some pat cliché to skim along the surface,
    safe, yet ignorant of the potential life and love about me.

    (October 2010)

  • The Green Fuse

    by

    God is alive.
    Magic is afoot.
    — Buffy Saint-Marie

    Several years ago for a few weeks, I lived in the middle of the Green Mountain National Forest in Vermont. One day I decided to hike into the mountains several miles from the campus where I attended graduate school. The day dripped humidity, but when the breeze slid across me I felt cool. I drove the six miles from campus to the top of Middlebury Gap where the Long Trail, a path that snakes along the tops of the Appalachian Mountains from Georgia to Canada, crosses the highway. As I applied insect repellent, and situated the water bottle and lunch supplies in my back pack, cars and lumber company trucks rumbled past where I had parked on the side of the road. Finally, with all my preparations complete, I waited for a gap in the flow of traffic, crossed the road and entered the forest. Fifteen yards into the trees, the road disappeared. Another twenty yards into the forest and I came across a National Forest Service sign that read: “Now entering a Primitive Wilderness Area.” I laughed to myself. My mind conditioned by the graduate classes I had sat through for the last three weeks to split differences in meaning from one word in a poem to the next dryly provided, “That means on this side of the sign I’m in civilization.” The trees on either side of the sign stood mute to my humor.

    Below the sign, inside a covered box , a registration book lay filled with the names and the cities of hikers ranging from Maine to California, who had passed into the woods before me. The book requested that I sign-in, like a hotel, in case of an emergency and the park rangers needed to help someone locate me. I dutifully signed in putting the day’s date next to my name as I wondered if the group who had signed in two days before me were still on the trail heading south toward Georgia. My planned four to five hour hike seemed like a lark.

    When I first left the mid-June heat of Texas for the green of Vermont, I was amazed with the lush variety of greens that blanketed the rounded mountains. But the green that I encountered as I left the road overwhelmed me. Fern and day lillies burst forth from the forest floor. Moss grew thick across fallen trees and rocks. The Blue Spruce and pine trees threw a dark green canopy over my head blocking the sky. The sunlight that managed to pierce through the tree tops stabbed down in white columns similar to the light I once saw pour down through a window of the Vatican, bathing a priest saying mass to the left of the main alter with an angelic glow.

    As I walked up the trail, using the roots of the trees that crawled across the path like steps, a faint breeze would peer from around the trunk of a pine and touch me lightly on the forehead like a benediction before disappearing into the woods on the other side of the trail. The hike proved not overly difficult, but my lungs raised on the flat terrain of the Texas Coastal Plain forced me to rest after an hour of the steady climb from the road to the top of Bread Loaf mountain. I sat down on the large root of a pine that climbed forty feet above my head.

    Between sips from the water bottle, I nibbled on the trail mix I had bought down at the Ripton General Store earlier that morning. The nuts tasted stale, but the gooey sweetness of the raisins and the dried date pieces quickly formed the mix into a satisfying mouthful. I leaned back against the tree’s trunk, letting the rustle of the leaves and the infinite green of the forest wash out all thoughts of the semiotic deconstruction of Virginia Wolf’s essays and the level of Dante’s Purgatorio which we had reached that week in class from my mind. The immediacy of the forest surrounded me; the beauty of a birch bending its white trunk through the thick green firs and the chatter of the jay and grey squirrel wove an ineffable web about me as effortlessly as the spider weaves her threads about an errant moth. Fifteen minutes later after luxuriating in the forest’s calm, I put the water bottle and the rest of the trail mix back into my pack. I stood up, brushed the moss from my pants and continued up the trail.

    Shortly the path became steeper forcing me to watch the ground a few feet in front of me in order not to trip over a root or a fallen tree. Not that I was missing that much by looking at the ground for I could only see about ten yards up and down the trail before it would bend out of view. I walked on for an hour in this manner, stopping momentarily to pick up a piece of slate that caught my eye or to look at an odd mushroom growing out of a tree stump. Every once in awhile, I would hear the quick flutter of rain on the forest canopy, followed by water dripping off of the leaves. But it never turned into a real rain, just enough to increase the rich humus smell of the forest floor.

    As I walked, I thought about the first people who had come into this country. How odd it must have been: no trails, no General Stores down the road, no roads. Just miles of green surrounded by still more green miles.

    “I placed a jar in Tennessee,” I thought, then laughed suddenly understanding Steven’s poem more than I ever had sitting in Dr. Malof’s undergraduate poetry class. But I defined nothing in the forest, it was its own definition.

    Finally I came to a bridge, two planks laid across cut telephone poles, that spanned a small brook. I squatted on the edge of one plank and stared into the running water. The sound of the water over rock whispered softly like a seductive spell. After several minutes I looked up, somehow everything was different. The forest had become imminent. The lush green of the forest had become palpitant in the air, which itself seemed to be thicker than before. I sat down on the plank and looked up through the trees trying to see beyond the green canopy to sky. But the forest held dominion. I felt like a protozoa, surrounded by an amoeba, slowly being absorbed. The forest was alive and I had been devoured.

    I suddenly felt an urge to tear off all of my clothes and run laughing through the forest, leaving the trail and its traces of civilization behind. I stood up confused. I was lost. I knew where I was, the trail only led two ways: farther in or back to the road. But I, my self, was becoming lost in the overpowering green of the forest. A line of David Wagonner’s poem Lost ran through my head, “The trees know where they are.” Yes, they knew where they were. They also knew that I did not belong. An exhilaration mixed with fear rippled through me like wind through leaves. I turned and walked quickly down the path I had just climbed. Before I could think about it, I was stumbling down the trail. Leaping from rock to tree root, almost falling , just catching myself before another leap sent me farther down the path.

    Twenty yards from the entrance sign that I had so glibly passed several hours before, I fell. I landed belly down, sprawled across a bed of moss and pine needles like a supplicant before a saint’s shrine. I rolled over on my back and began laughing hysterically between gasps of air. Several minutes later I struggled the last short steps out of the forest. I sat quietly in my truck recollecting myself before driving slowly back down the mountain.

    I had left that morning with the intention of taking in a bit of nature. Instead I had been taken in and spit back out by nature. Philosophers speak about the numinous, the glimpse of God you catch on the edges of your peripheral vision. But the blinding face of God does not simply burn out your eyes as I had imagined as a child in Sunday school; it ignites your mind with infinity. The forest is alive. Not just the individual life of each tree, fern, moss or bird, but a life that encompasses all of the life in the forest, including the life of the individual man that enters into the forest’s domain.

    (Spring 1993)

  • from "Primogenitive Folly" (57)

    by

    The echos’ cacophony perplexes;
    each false note harmonizes with discord,
    a seeming pattern like rain on puddles.
    A bending of self around the shifting
    context of the time we find ourselves in.
    The barrage persists all day and all night;
    the words blast upon my psyche like hail
    pummeling. Flowers bend into the mud.
    I walk along barren ground calling out
    names at random in hopes that someone hears:
    the wind, the storm, the silence devours.
    What words we use to justify ourselves
    are lost beneath the onslaught of the world.

    An old path blends into a mottled ground.
    Birds whip between rain and leaves, singing songs
    beneath the backbeat of the storm. Lightning
    scars what night is visible through the trees.
    No one is near to hear these words I speak;
    nevertheless, I say them anyway.
    The mumbled sounds mingling with falling trees
    somewhere beyond the distant horizon;
    is anyone there? I storm off to look
    ever hopeful that around the next bend,
    over the next hill, I will find the one
    true voice that has lured me on for years:
    a siren singing between the echoes.

    Where we go, there we go; there we grow.

    (August 2001-April 2003)

  • from "Primogenitive Folly" (42)

    by

    I had it all wrong she says as if memory were an idle trifle that could be fiddle-faddled with like some lump of clay until it acquiesced to the shape one wished it to assume but I know that isn’t right I was there and her story can’t be justified by the events as I saw and understood them to occur not saying I got inside the heads of all the others yet I know what I know and I know what she says isn’t so none of it makes sense even if you leave out all the parts she does or reinterprets like trimming puzzle pieces to fit a frame what we all say until the vision refocuses enough to fit her telling but then there are so many knots of time in this chain each one fashioned after its own fashion that untying them all becomes like climbing bare-handed up a piano wire soon slippery with blood and what is left of reconciliation is tangled in ribbons of flesh nearest the heart: truth is a complicated lie

    (August 2001-April 2003)

  • Liminal Transitions: A Love Song

    by

    1

    Casual social chitchat:
    such words work their way
    into my life like dreams,
    wisps of possibility
    never there.

    2

    Patterns in an eddy’s swirl,
    chance hallway meetings:
    Laocoön’s stone snakes slide
    between a meaning only
    I can see.

    3

    A cold front pushing swiftly
    past the river’s trees
    tosses humidity
    like leaves where I stand thinking
    about her.

    4

    Smoke snakes into the night sky
    like a strand of hair
    hanging over your eye
    which I wish to move aside,
    but cannot.

    5

    Crossing borders is often
    difficult: language
    shimmers into language;
    voices speaking to no one,
    just echoes.

    (September 2010)

  • Blue Morning Glory

    by

    Thin tendrils uncurl from dark foliage,
    threading themselves across garden walls.
    How much each allows the other
    to see or stay hidden defines
    the intimacy of this moment
    unfolding like Morning Glories into light.

    My hand floats across your hip,
    navigating your shape from the dark.
    Our skin slides over skin
    searching out the other like a moth
    fluttering over a field, settling
    on the lip of this fresh blossom.

    My heart opens into you endlessly,
    redefining all that I am with your kiss.

    (August 2010)