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My Poetry and Commentary on Life

  • This Writer’s Beginnings: EarlyYears
  • Bread Loaf Influence
  • Rock and Roll High School
  • About

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  • Where Was the Son?

    by

    school work, teaching

    I have a student’s father who wishes for his son to pass the year. His son never comes to class. If he does come to class he comes 20 minutes late, so he is technically absent. When he does come to class he does not bother to find out what the class is doing; instead, he plays with his phone, or puts his head on the desk. I have talked to the father repeatedly, both in person and through email. The father, at the end of each six weeks, comes and gets work for the son to make up. The son does not do it, or does not do enough of it to pass. I am meeting with the father tomorrow, the father wants his son to be able to make up the work for the the six weeks that have already passed by. I feel it is an insult to my class and my students; they have worked all year, coming to class, reading books, writing essays. They are passing. He is not.

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  • Layering

    by

    meaning, poetry

    I run through my obsessions
    Like penitents over wooden beads
    Chanting the same words
    Until all obliterates beneath
    The mortar and pestle of language

    How can I trust others
    When I cannot trust myself
    So many layers of belief
    (all true) to move through
    like archeologists through

    sedimentary rock
    What was once seafloor
    Shows sea life on mountaintops
    There is always an explanation
    If I sift through enough silt

    Finger each thickened lump
    Until it dissolves in my hands
    I might glean some truth
    Upon which to layer like an oyster
    A balm upon all that irritates me

    (April 2011)

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  • Responsive

    by

    conversation, existential angst, life, meaning, poetry, social construction

    We dance but without choreography
    Meaning flashes then evaporates
    An interpretation requires a template
    A duet is never more than two solos,
    Enmeshed solely through proximity
    I move one direction, you another
    In stage combat no one gets hurt
    The outcome is predetermined
    The curtain falls, everyone’s fine
    I desire a script, what to do and say
    Improvisation frightens me
    Each move opens infinite possibilities
    A pratfall follows a clumsy stumble
    I want the answer, before I ask

    (April 2011)

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  • Eros Flits Briefly Across the Room

    by

    life, poetry, romance, silly

    I, of course, instantly notice
    The bare skin of your back exposed
    Between the top of your blue jeans
    And your blouse as you, oblivious
    To my wandering gaze, sit reading.
    I wish, like a boy on his first date
    Longing for a kiss, to lightly run
    My finger tips across your patch
    Of skin as a prelude of caresses
    Still to come. Yet, as is too often
    The excuse, there is too much to
    Do for the day: another paper to
    Grade, a dinner to plan; so I move
    On toward yet another distraction.

    (April 2011)

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  • Tumbling and Fumbling

    by

    conversation, meaning, poetry, sonnets

    “So close and yet so far away
    And all the things I’d hoped to say
    Will have to go unsaid today
    Perhaps until tomorrow”
    – -Townes Van Zandt

    Again I fall before your charm,
    My brooding befuddled by small talk;
    I think of light replies too late
    Driving home replaying conversations,
    Reshaping meaning to suit obsessions.

    The delusions of my truths
    Trouble with their desert shimmer;
    An oasis I desire, yet fear exists
    Only in the thirst for it to exist,
    “and that leaves only sorrow.”

    (April 2011)

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  • Among the Ruins

    by

    existential angst, meaning, poetry

    I pick through the rubble
    For remnants of my heart.
    All these troubled, shattered
    Parts (my students, my friends,
    My family, my self, all
    The detritus that falls
    Along the way) stand like
    Broken teeth cutting my tongue
    As I try to speak of things
    Best left unspoken. Not
    Out of some misguided
    Etiquette do I keep silent,
    Rather a deep exhaustion
    With having to explain motives,
    Rationales, deep beliefs
    Developed through time, both
    To myself and the ever-present
    Judges of normality, while
    Remaining cognizant of the
    Fragility of our souls
    To hear the unfettered opinions
    We speak when we are alone.
    It is hard enough to follow
    The blade of pointed self-reflection
    As it descends deeper through the layers
    Of deception I donned with such ease;
    Much less so to slice into the soul
    Of another for the sheer delight
    Of proving I can eviscerate
    You as easily as I surrender my own skin.
    And so I move through the smoldering heaps,
    The maudlin nodes of my mistakes,
    Treasuring each emotional shard
    I unearth as if it meant something
    More than what I make of my life.

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  • I feel a Disturbance in the Force

    by

    life, thinking, ways of knowing

    I am frustrated with the world. I blew up in class today. The genetics of my father flowed out of me: one crazy red-faced Irishman. But that was the end result of an overall deep downturn in my psyche over the last couple of days. I am not sure what caused this fall. I noticed years ago that I tend to fluctuate between feeling ok, and being depressed and gloomy. I have assumed that I was not manic-depressive because I did not have the ecstatic emotional highs. Sadly. I suppose this current emotional collapse is just a culmination of events comprised of Lisa’s loss of a job,the layoffs occurring on a daily basis in the building where I work, the state of education in Texas where 100,000 teachers will be fired this year, and the general turn to a fascist state exhibited by the Republican party’s attempt at gutting everything created for the good of people since the New Deal. But that would be too simplistic. I really am not that paranoid.

    A friend, one of the more intellectually complex persons I’ve worked with in years, always wants to know how people feel about things; so instead of trying to analyze cause, I will describe effect. I have a tight constricted ball located just below where the ribcage comes together. It feels like the moment before one vomits from too much liquor without the dizziness or nausea. I want to cry over anything and everything: newscasts, sappy television, poems I have read for years, words. An overwhelming sadness sweeps through me, similar to how I felt, in waves, the year my mother was dying before I was prescribed antidepressants, and then felt nothing.

    A few months ago, an old friend from Bread Loaf came through town. When she came to dinner she asked how I was doing. My quick, and honest answer was that I was happier than I had been in years, which is still true. I feel (think) that I am writing some of the best poetry of my life over the last few months (even though I feel no one reads it). I enjoy the conversation with the friends I have made over the years on both an emotional and intellectual level. I work with a collection of big-hearted, smart, funny, articulate people whom I love deeply. My three children are wonderfully fascinating young adults who I delight in listening to as they negotiate the world they are creating. I am still in love with the woman I fell in love with thirty-one years ago. And all of this makes me want to cry.

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  • What Writing Poetry Feels Like

    by

    poetry, ways of knowing, writing

    for an “assignment” from C.D.

    Many years ago I felt when I wrote as if a geometric figure rotated slowly about three inches above and in front of my forehead: a green figure glowing red along the edges of each facet. I would trace lines (words) along the edges of this figure as I wrote, or thought about what words to place on the page.
    That, however, is not a feeling, but an image. The image did create a trance like state – – a mandala, as it were, to focus my attention – – to not be distracted by the noise of the world, nor by the noise of the words. So in that sense I feel calm, centered and safe when I am working on a poem. I feel closer to myself, in a place I can speak with a brutal honesty, a space of stark self-evisceration, a space to hide beneath metaphor from myself and others; a place of enlightened obfuscation.

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  • Otherself 2

    by

    community, poetry, social construction

    My skin itches as if something needs to get in,
    A constant trend toward a location not here.
    Angstroms of ephemera swarm like the hum
    Of bees, the chatter of others; but not the bees
    Nor the others: I am who I am,
    A patchwork facsimile of all I hoped to be,
    As are you as well. We are never apart:

    Whitman’s atoms, Lennon’s goo goo g’joob,
    An interlaced amalgam of each interaction,
    Of each handshake, each mumbled explanation
    Of the last big game, of her last affair, of god:
    Each a part of the tale I tell to myself
    When too tired to push back sufficiently
    To create space enough to breathe on my own.

    (March 2011)

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  • Shapeless

    by

    creativity, poetry, thinking, writing

    Half-awake at five a.m.
    A line, then a poem forms.
    But the mind, like the poem
    Shifts, a play of metaphor
    Between the thing
    And the thing
    Translated.

    So, I can’t follow,
    Or remember
    Beyond a trace,
    An outline:
    Not enough to reconfigure,
    To replace, the ineffable
    With the shape of words.

    (March 2011)

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  • Response

    by

    conversation, existential angst, meaning, poetry

    “Do we communicate in mirror languages, through some inherent sense of form, in every respect but touch? Do we ever know each other; know who we really are?”
    –Susan Howe

    I become an echo
    To what I wish to hear – –

    My voice to your voice
    A whispery misdirection:

    In case I eavesdrop
    Words meant for another,

    I worry your lines
    Like a scar, a palmistry

    Read in a different text,
    Weaving new cloth

    From unraveled sleeves;
    An old fool’s motley hopes

    From wilted narcissi
    Beside a still pond.

    (March 2011)

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  • Otherself

    by

    poetry

    My skin itches as if something needed to escape:
    A writhing turmoil with the liquidity of smoke;
    The curl and twirl of a rose unfolding in time;
    The abdominal ripples of a child tumbling
    And fumbling in an amniotic swirl;
    Wax as it hesitates between itself and fluidity
    For an instance neither one nor the other:

    We are all more than we are within our skin,
    A permeable differentiation between
    Our belief and where we wish to wander.
    We hold our beliefs loosely, like a cloak
    On a warm evening, or the reins of a horse
    Who knows the way home without our
    Unnecessary awareness of where we are.

    (February/March 2011)

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  • Can’t Deny My Love

    by

    existential angst, poetry

    I don’t want to be here;
    I don’t want to be who I am;
    I don’t like it here anymore;
    I don’t understand happiness;
    I don’t want to be anything more;
    I don’t like the array of options;
    I don’t want to ignore any options;
    I don’t understand the choices;
    I don’t like the complexity;
    I don’t like the simplicity;
    I don’t like the view from here;
    I don’t want to change position;
    I don’t think grass is greener;
    I don’t want to do this yet again.

    (February 2011)

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  • Contstellate

    by

    existential angst, poetry, storytelling

    I am tired of connecting the stars,
    Telling stories across the night sky;
    My soul is hard enough to maintain
    Against the unrelenting onslaught.

    What did he say? and what about her?
    They all speak at once, demanding
    What I must define myself against,
    That I justify my self to their limits.

    The sea is a dangerous place,
    Yet, so is the shore; jagged rocks
    Flash through surf like wolves through flesh.

    I seal myself within this sarcophagus
    Of talk, my tropes, my clichés,
    And cower beneath the untamed stars.

    (February 2011)

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  • Illiterate

    by

    conversation, erato, literacy, meaning, poetry, traces

    Your hand upon my arm
    Transient like spider’s silk
    As you speak to me
    Not there, yet there still

    I’m lost falling, following
    Stray strands of meaning
    Weaving from desperate threads
    Tattered rags into a motley’s truth

    Such small scraps feed me
    A casual toss of your hair
    A phrase plucked from conversation
    Create tremors for days, rattling

    Like bones in a cup, an
    Augury I cannot read

    (February 2011)

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