
i don’t know
he says to himself
about nothing in particular
and then smiles
for he knows
for once he’s right
(February 25, 2026)
by

i don’t know
he says to himself
about nothing in particular
and then smiles
for he knows
for once he’s right
(February 25, 2026)
by

Walking into the kitchen
I forget my reason
for going; I stop,
and retrace my steps.
As when I am reading
and my attention drifts
lost in the dream of text,
I must return, sometimes
pages back, to regain
myself and what it was
I was looking for before
I wandered through the door.
(February 24, 2026)

listen for the unspoken
not the silence
filled with implications
and potential energy
but to everyday words
those spoken in hallways
almost a passing greeting
or between strangers waiting
quietly in awkward lines
for mid-morning coffee
those words which slip past
unremarked and unacknowledged
like the flow of giant rivers
which cut a new way
over time through bedrock
until the fixed boundaries
of cliche and custom
churn into a slurry of silt
inevitably forgotten
then again rewritten
(February 22, 2026)

it may just be
a timely coincidence
but have you noticed
the last circle of hell
in dante’s inferno
ends in the cold
betrayal of ice
(February 17, 2026)

“the war never ended somehow begins again”
—-Natalie Diaz
they no longer confine their hatred
to the darker shadows of night
but walk about mid-morning
unconcerned when recognized
thick blood drips from their teeth
while they stand in line at the bank
or watch the game at the bar
casually drinking a craft beer
we all know them for what they are
yet say little above a whisper
we tell ourselves they won’t stay long
yet they do linger like smoke
long after the fire has burned
our lives into softest ash
(February 16, 2026)
by

he shifted to the third person
someone outside his skin
someone easier to understand
someone easier to forgive
somewhere easier to hide
he felt under interrogation
for years answers formed easily
short sentences small words
now the simple questions
were grey nuanced and difficult
set with slow traps and baited
with articulate parenthesis
now he was no longer first
now he had someone to blame
(February 5, 2026)
by

I finished The Brief Wondrous Life of Oscar Wao by Junot Díaz, the RFB book for February, just now. By the end I liked it better than I did while I was reading it. In other words, Diaz brought it to a close masterfully. It is a sweeping family drama story on a simple level. But more so how history-in-person, history-in-place, and how the stories you hear from your family’s history form a large part of your destiny, identity and “fuku” (curse, I believe). Ultimately it is a story of love, albeit a tragic story of love. A line from near the end of the book: “ She was the kind of girlfriend God gives you young, so you’ll know loss the rest of your life.” A line from the narrator, which I believe is the opposite of what was given to Oscar, which was more the kind of girl God gives you so that you will know the power of love to bring you happiness. Even if only for a brief wondrous moment of your life.
by

Maise, our dog, lounges on the over-stuffed arm
of the old leather chair which squats squarely
next to a bare window in the front room.
The late afternoon sun pours bright puddles
of warmth on the floor for her to bathe in;
and from which, if inclined, she may muster
yips and growls at people slowly walking
their sweatered dogs on the sidewalk outside.
I fear falling on ice still lingering
on neighborhood paths, so we stay inside.
But that is just an excuse, I hate cold
weather as much as I tolerate heat’s
dominion during the long summer months.
Even when I, like this poem, go nowhere.