subtext

My Poetry and Commentary on Life

  • This Writer’s Beginnings: EarlyYears
  • Bread Loaf Influence
  • Rock and Roll High School
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  • Will Not Want

    by

    community, desire, life, poetry

    I want to be aware I desire awareness
    of what I want to do and be each day
    to pick the ripe apple seemingly out of reach
    to know the flush of joy to bite the flesh
    tart between my teeth like love or lust
    the difference being only my cognizance
    to drive along whatever moment I am in
    to stop blind impulse’s shimmering chains
    from wrapping along the length of my bones
    so I can rise with the sun upon a new world
    free from the fear of all which has come before
    as if the languages we each speak could form
    without our parents speaking each to each
    (July 21, 2013)

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  • from "primogenitive folly"

    by

    community, dissatisfaction, existential angst, metaphor, poetry, ways of knowing


    Such pain is beyond metaphor.  The scream
    a monosyllabic wail into an
    embodiment of flesh.  We are just nerves
    strung across bones, violins singing a
    song of the self in a contrapuntal
    line inscribing the parameters of
    the lives we live out.  Yet we still want more
    . . .now.
    Together we console, but our lives  are
    ours to live alone despite  the  constant
    call to return.  The struggle to escape
    the razor slices and the pummeling,
    to untangle the spider’s soft cocoon,
    leaves us numb to agony’s cold white noise.

    (from the serial poem, “primogenitive folly” August 2001-April 2003)

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  • Thinking About My Writing Process

    by

    education, teaching, writing

    Roger was a bright student.  I met him in a language arts class for gifted and talented eighth graders at a public middle school, which abutted the largest Army post in the country. The class consisted of 24 extremely mental 13-14 year olds. Not mental as in they could have been the Joker’s henchman, but mental as they were the smartest students, or people, I had ever had the chance to meet. All of them were much smarter than I am, or were even then at 34. I was their teacher; Roger wrote in my class.
                When I say he wrote, don’t think about your average view of a classroom by the non-teaching public.  Roger did not write simple five-paragraph themes (sad we still talk about this after 30 years); nor did he write short answer responses on reading tests; Roger wrote a novel. Roger wrote everyday during “writing-time” in my class. Normally, the children would write on the open ended topics I would throw out fairly regularly like feed to chickens.  They would pick up some kernel of an idea to tend until it bloomed into an essay, a story, a poem, or sometimes if they cared about it, a history report. Roger wrote his novel.
    Roger wrote his novel at home, and at lunch and in Mr. Reed’s science class if he could hide it behind his science book without getting caught. So it was no special thing to have Roger write his novel in my class.  The only difference my class made was  he could look like he was doing what he was supposed to be doing in class, and he actually would be doing what he was supposed to do in class: write. He had no problem with writing in my class; that’s what we did.
                Roger’s problem in my class was he never turned anything in. He was always writing, I saw that. I would talk to him about what he was working on, he would show me first drafts of whatever section he was working on that day; so, I knew he had something to turn in.
    Roger never turned work in. It wasn’t part of his process, once he was done with his project, he would begin another. He wasn’t writing for me to get a grade to pass my class; it wasn’t for his parents, who came in for several parent conferences and had restricted his free time after dinner at home, remember these are military parents; Roger wrote for the audience of himself. Once he was finished with whatever he was writing, Roger had read it down to the last word. It was the book he had wanted to read at the time, and now he was done.  Just the same as I will put a book on the shelf when finished reading, Roger would shelve his project, then start another book.
    I realized earlier today that Roger’s process for writing has also, in a way, been my process.  I have written with a view of myself as a poet since I was fifteen. Most of what I write arises out of me trying to figure out my story: what it is about life that is confusing, or troubling my thoughts of the moment; and then trying to capture that wisp of an idea which evaporates as I reach for a pen. When I finish with a poem, I chase the air for the next flash of language; and, sending my work off for publication slowed down that process.  With the Internet I have more of a chance to publish for a broader readership, because it does not slow my obsessive desire to write by much at all. I can work on several pieces over time, and as I finish simply paste it into my blog, Subtext, which I have kept for almost 7 years now, without too many side steps to get in the way of the rest of my life.  Not that I don’t care if anyone reads my writing, because I do care. I get almost the same thrill when someone tells me they read or liked one poems that I did when Ms. May, my fourth grade teacher, told me she liked some image in a paper I wrote. It made my day then, and having a reader still does. 
    Writing is a rush of connection: connection between one thought to another; connection between world, self and language, which almost becomes the self; and connection between people. Roger rode that rush missing the last connection, that connection between people. I make my gesture toward the last, but ultimately what I care about more is putting the words together between my head and the paper, that deep whirly-gig connection between life and language. 
    (July 19, 2013)

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  • from "Primogenitive Folly"

    by

    community, fragments, god, language, life, poetry, social construction



    And where  does it lie, this  belief in some . . .
    higher, something beyond our meager . . .
    for food, shelter, sex?  What drive coaxes . . .
    out along the  edges of our lives . . .
    to hunt for a definition that . . .
    satisfy, like a cat curled purring . . .
    a chair?  But questions come too late for . . .
    . . . sense to make a difference between
    the words . . . speak to ourselves and others.
    Laughter breaks through the cracks in language; . . .
    failure propped up on fragmented nerve . . .
    . . . , an audacity which still cannot
    stand against the onslaught of the world . . .
    The sad remnants of the stories we tell.

    (August 2001-April 2003)

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  • lost between memory’s pages

    by

    life, memory, paradigm shifts, poetry, ways of knowing

    “How are dreams connected, and where and
    how weighty is their index?”
                            –Clark Coolidge
    to return to the moment’s memory
    unclotted with love’s previous traces
    nor transfigured into a past’s embrace
    I run a finger along the margins
    a lost alphabet to find our places
    revealed within between which dream tonight
    a selected revision binds us tight
    a simple clarity recalled stripped clean
    prior to a causality explained
    where I no longer need this connection
    shake out the pages until marks fall free
    as if position were the same as stance
    or tame persistence could reclaim the heft
    of meaning’s initial hammer strike home
    (July 18, 2013)

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  • Another from "primogenitive folly"

    by

    hope, life, obsessions, paradigms

    . . . a tightrope walker,
    a pendulum, swaying on a thin thread,
    follows earth’s wobble around her orbit
    tracing pattern’s in the  church floor’s dust.
    . . . as a counterweight to the heart:
    a moment of calm, the  last thought thins
    like the sun’s rays  seen from a distant star.
    The clarity of a winter’s morning,
    the  air coldly crisp throughout a blue sky.
    I sway upon the edge, both hands outstretched
    waiting on the right puff of wind to come
    dissuade me from this precarious point.

    (August 2001-April 2002, from primogenitive folly)


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  • (from primogenitive folly)

    by

    community, fragments, language, life

    a syntax orders
    our community
    of death,
    blurred words
    mouthed by skulls

    (August 2001-April 2002, from primogenitive folly)


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  • 64. Change

    by

    life, poetry

    July 5, 1995
    A kaleidoscope shifts
    pattern from pattern
    but never returns – –
    I move on, going where
    I can – – I do not have
    to force myself to change.

    (1994-1995, from My Book of Changes)


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  • from "Sonnet, a renga"

    by

    conversation, fragments, memory, poetry


    beneath the talk
    I swim my past
    drowning in shallows

    (2001-20012, from “Sonnet, a renga”)

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  • our lives swallowed in cliché

    by

    acceptance, anger, dissatisfaction, doubt, life, poetry


    silence broke
    across the room
    like lines of frost
    limning the edges
    of a window pane
    I don’t know what
    I expected different
    than what occurred
    the bare acknowledgement
    the sudden change of subject
    the pissed silence
    but something
    something else
    (July 12, 2013)

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  • four poems from "Sonnet, a renga"

    by

    life, love, poetry, renga, romance



    the air forms to your body
    without effort
    I breathe you in
    —
    not so much a matter of will
    as it’s a matter of will not
    —
    “a rose unfolds despite its beauty
    the weed despite our disdain”
    he longs and obsesses
    as easily as she coyly
    plays with her hair
    laughing all the while
    —
    intent



    (2011-2012, from Sonnet, a Renga)


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  • somewhere in this lives a frightened little boy

    by

    anger, doubt, existential angst, life, poetry

    the daily semblance of calm
    (a mask whereupon he rides
    the volatile rage twisting
    like magma beneath rock
    until he’s able to dismount
    with the casual elan of a cat
    who has fallen awkwardly
    but  still haughtily walks away
    with a final slash and twitch
    of his tail as if to say who cares)
    allows him to breathe within the deep
    panic rising over him like water.
    (July 11, 2013)

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  • Homecoming

    by

    family, life, memory, poetry, storytelling

    he drove forty-five minutes
    to arrive here
    sixty years later
    an empty street
    bordered by tufts of dead grass
    and two bedraggled buildings
    he stepped beneath one building’s
    tin roof buckled like a cotton shirt
    on a humid day
    he took off his grey stetson
    wiped the inside band with a handkerchief
    put it back on

    then like Gary Cooper
    squinted down the street
    as if expecting to recognize someone
    not even wind
    stirred
    the bright caliche
    he took the boy’s small hand
    in his massive palm
    and said, “Wanna coke?”
    the screen door patched with tin signs 
    advertising snuff and Mrs. Baird’s Bread
    snapped shut behind them
    they stepped into the cool dark
    a ceiling fan slowly stirred
    stale beer through smoky air

    (Summer 2004)

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  • 52. A Smothered Fire Smothers Me

    by

    dissatisfaction, doubt, early work, life, obsessions, poetry

    July 19, 1995
    I desire, long for, crave calm,
    my heart centered like a top;
    but I careen about the town
    like a drunkard down the road.
    I pay too much attention to myself
    and how these poems are read.

    (from My Book of Changes, 1994-1995)

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  • Remnant of a Dream

    by

    borders, dream, love, poetry, romance

    She moves through a door
    onto the balcony and leans
    on the railing into the dark
    listening for the waves’
    growling rush along the shore.
    Light from inside drapes her
    for a moment in a lonely silence
    like a figure in a painting
    by Edward Hopper.
    He remembers a dream
    he had awoken from years ago:
    he had stepped through a door
    at night into someone’s backyard,
    blurred lights festooned the trees
    above the heads of vague people
    chatting on the lawn.  He needed
    to retrieve her and take her
    home, but the lights dimmed
    further, and the people vanished
    like small talk into the dark
    and then he woke and sensed
    like now the vast emptiness
    between them grow.
    (July 8, 2013)

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