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how history begins (136)

maps do not speak 

as vaguely blurred 

vowels along riverbanks 

where second cousins 

two counties removed 

slur to their mates 

nor sift for finer 

details in pap’s 

bourbon tongue 

(April 26, 2021) 

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neither knowing nor unknowing (#134)

there in the day

to day constancy


there in the grain

of our tongues


as we speak

each to each


of the most

trivial things


there is where

the how arrives


on soft cat feet

oblivious of the night


there is the story

you said then said


along the seams

between dark and light


the story we heard

the story we tell


stitching our scars

along calloused lines


one strangled knot

woven into another


an embroidery

of nooses


until we’re hardened

to brittle words


which shatter all

we once were


thin crystal slivers

from a broken glass 


scattered like stars

across the floor

(April 19, 2021)

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Without the Stories She Must Have Told

700-00041983 © Bryan Reinhart Model Release: No Property Release: No Blurred View of Hellbrunn Alley Salzburg, Austria

All I know of her is, perhaps, this 

three-second, eight-millimeter film clip:


discernibly old, she steps through shadows

next to a tall man, who is also in shadow.


Briefly from the sepia tress, she looks back 

towards the camera— her face a blurred silence.

(February 18, 2021)

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adrift (114)

in the dark a red thrum quickens 

the edge of remembrance like light’s 

first glimmer across the sea 


I trace my gnarled fingers along the slick 

interior walls to justify what it is 

that pushes back my intentions 
 

like the egg in childhood’s experiment 

which floats in a glass of salt water 

I drift seemingly unsupported 

 
with vague suppositions and 

innuendo to tangle like seaweed 

trapping my voice below the waves 

 
and what I would if I could speak 

drowns in my first breath 

like a fish mouthing silent words 

(February 3, 2021)

a darker shape was always present

from a work in progress: “process, not a journey” (78)

after the worst of summer’s heat

we’d sit in the grass

beneath the pecan and cottonwoods

away from the radiant streets and sidewalks

the adults spoke of friends 

far away or long dead

they’d laugh and tell stories

which we were not a part of yet

we ran wild through the night

afraid of nothing

(July 18, 2020)

the illusion of narrative fragments

from an untitled serial poem (3)

and nothing specific is ever learned

it’s more a pervasive atmosphere

an inescapable context which traps

us in a web woven and rewoven

moment by moment knitted from our flesh

and residue left from this dark frenzy

*

daily we fall deeper into the tale

yet there is no white rabbit to follow

only desire to ride us like harpies

the news the neighbors our friends all screaming

into a discontent none can escape

nor explain enough to be forgiven

*

as if there could be a strong enough god

to save us from our own stupidity

(January 5, 2020)

Fairy Tale Endings

from an untitled serial poem (2)

tufts of dark fur

scraps of red cloth

broken glasses pools

of wine the remnants

of someone’s meal

are splashed across

the cottage like blood

on a butcher’s apron

she is not here

neither is he

one fled

one’s dead

birds hop and sing

on the window sill

a family of rabbits

nibble grass

along the path

the door lies shattered

on the ground

dry splinters of wood

punctuate the grass

with unvoiced cliches

(January 3, 2020)