
All day a thick rain
thunders from the darkened sky;
the dogs hide inside.
Pigeons coo, “What’s up with you?”
as the rain begins to wane.
(April 30, 2026)

my resistances arise
through the day
in the way
I see
the trees leaf
the roses bud
and bloom only
to let go
their petals
to the ground
and here
as well as there
in the streets
filled with anger
is a beauty
and a love
which must be held
with all our arms
and named
with all our voices
no matter how small
or fleeting
we feel our hearts
to be
no matter the terror
slithering nearby
laugh as well
as mourn
sing as well
as scream
see more
than is allowed
see what we were
see what we are
and see what
we can become
(April 29, 2026)

—11:11am, 81 degrees
After an interrupted sleep,
I am slow to wake
into a muggy spring morning.
The dogs were restless
and anxious all night
disturbed by shadows
shifting across the moonlit yard.
Both now curl at my feet,
silently asleep.
I sip my second cup,
stare out the window
at the sycamore’s leaves
slowly stirring the still air,
and try to start the day.
(April 26, 2026)

“Oh, God said to Abraham, ‘Kill me a son.’
—Bob Dylan
I want to write
something other
than this poem;
this trifle;
this moment,
but this is all
I have to give
after another
eventless day.
Another day
which was enough
for what I had
to accomplish,
as this poem
is enough for
it is all
that I have
left to offer.
(April 20, 2026)
A few days ago, I heard Stand by R.E.M. It came out in 1988. It gave me a center-point to hold on to in a stupidly difficult year.
In 1988, Beeville ISD hired me to teach 7th grade English at Thomas Jefferson Junior High School. They had recently changed the mascot from the Devils to the Jets because of the “satanic” overtones of the Devils. It was my first teaching job. I had been unable to find an English position in the Austin area, despite multiple interviews. I figure now that I was a crappy interviewer due to my tendency to mumble, talk fast when nervous, over-intellectualize simple questions and to look everywhere but at the person asking the questions. Or maybe something completely different: I didn’t know then which was all that mattered. Beeville needed an English teacher and I got hired. We moved to Beeville, Texas and I had my first classroom. It was a mistake from the start. Within the first few weeks, I had lost control, even if I had not realized it yet then. Although I figured it out pretty fast, but by the time I did it was too late. The seventh graders ate me alive. For the rest of the year I felt completely lost and unbalanced. It was sad. REM’s Stand (as well as David Wagoneer’s poem Lost, which I had taped to my desk) helped by reminding me to think about where I was amidst the chaos of my life that year. We moved back to Austin at the end of the school year.
This post has its origins in a “prompt” from a friend who asked that we write to memories elicited by various songs.

The ground shimmers
beneath my feet;
I reach out to find
a wall to steady
the loss of gravity,
until time gathers
the disparate shapes
back into me.
I’ve heard this before—
again, too often.
So much so,
I stop listening:
I know how it ends;
we all know the end.
(April 11, 2026)
by

I do not sing these songs
as much as mutter
over what I notice
like an itinerant priest
parsing last rites randomly
to people passing outside
nevertheless I trust what I say
matters yet to whom or how
I do not pretend to know
there is a truth to poetry
I will never understand
for it occurs without my help
I have become resigned to it
as with much of my life
things happen as they happen
(April 7, 2026)
I wrote this a couple of years ago…
“to combat the resistances of language you must keep talking”–Anne Carson
I write most everyday. Since the end of last August, I have filled up two 150-page notebooks, completed close to 80 short poems. I have written, if not so obsessively as now, since I was 15. I write poetry, with the occasional venture into essays like this one. I have trouble with narrative, one event leading into another befuddles me, as does conversation between people. So I do not write fiction. Yet, I do have an interior running commentary on the narrative I am living, snipes and admonitions on my life as it unfolds. To push back against this cruel eviscerating voice, which adheres tightly within my skin, I write. I write to explain the world to myself, to explain myself to myself, to resist the world, which is lain upon me by the world. I write to resist the temptation to settle into myself without a thought. I am uncomfortable in most social situations. It’s discomforting when others try to define me, or attempt to interpret me from my writing. Yes, I am aware that all writer’s expose their minds in their writing. Even writers of fiction expose themselves through their fictional characters. Nietzsche wrote that in the end we only experience ourselves. Yet, I believe there is also a separation from oneself, a leap into the universal other, which occurs when one writes: a transubstantiation of individuality into a larger third person narrator, who watches and observes with more objective, more just, eye. Of course, I also know this is pure bullshit. I am as clotted with my biases and situation as anyone. But it is through writing, through the transformative nature of writing, where a third space can open, and one can enter along with whomever can follow into a changed world, a different, perhaps better place, if only for the time it takes to read the poem. And to keep from being defined, trapped even in these new spaces, I continue to write, to find a way to exist with myself.
(February 28, 2017)

I try to see
what’s in front of me—
but most of the time,
it’s hard to pay attention.
Too often, I’m blinded
just stepping toward a door
which then causes the day
to shimmer inside a memory
like sunlight on the surface
of a creek as it meanders
through the trees. So, I stop
mid-way on my path
to regather myself,
and wait for the moment
to arrive fully formed.
Much as a poem folds
the pretense of meaning
within images which echo
across each other like bats
swerving through the night
searching for food.
(April 4, 2026)

The dogs sleep in balls
tightly curled next to my chair.
Roses bloom outside.
(April 3, 2026)
by

A rose requires
no one to notice
it bloom; come spring,
it just blooms.
(March 27, 2026)
by

three years ago
at sixty-three
after thirty-four years
I stopped teaching
I stopped taking
anti-depressants
stopped drinking
as much
the night terrors
though not stopped
are less frequent
and less frantic
I am not somebody
out of a capra film
nor a famous nobody
listening to frogs sing
I am me— an old man
who still loves lisa
and writes little poems
few people will read
(March 16, 2026)

a scream like lightning
rough ragged quick
followed by male laughter
then more garbled screams
like dogs growling
lights go off and on
upstairs then downstairs
the front door opens
light stabs across the yard
then the door slams shut
a bedroom light remains on
a car guns out of the driveway
then shoots off into the dark
then silence
(February 28, 2026)

days arise and fall
as time flows
without direction
and I don’t know
what season has come
or if there is a beginning
or an end this time round
(February 26, 2026)

Walking into the kitchen
I forget my reason
for going; I stop,
and retrace my steps.
As when I am reading
and my attention drifts
lost in the dream of text,
I must return, sometimes
pages back, to regain
myself and what it was
I was looking for before
I wandered through the door.
(February 24, 2026)