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One Way or Another

from a work in progress: “process, not a journey” (58)

the day to day distorts

easier than cataclysm

they bend like fun house

mirrors a reflection

of a persistent truth

rather than shattered

into shards to slice

the skin into tatters

the blood seeps beneath

a blasted bit of bone

one seduces

like a lullaby

one 

a merciful kill

(April 29, 2020)

winter’s end

from a work-in-progress: process, not a journey (40)

blue bonnets bloom in the backyard

as a new plague floods the city

fear all that has changed enough

to become a normal day yet forget

what patterns have been replaced

by emptiness reweaving a past

which should have existed like flowers

found pressed between the pages

of a favorite book marking the poem

you read to me when we were in love

instead of these tattered nets I mend

as best I can from wisps of memory

in the hope a better world will blossom

like the wild flowers in the backyard

(March 20, 2020)

What Each Transition Leaves Behind

He entered the water,

and drowned.

She entered the earth,

and decayed.

He entered the fire,

and was consumed.

She simply vanished

into the air.

Between her words

and the sediments

of his desires,

they were transformed,

becoming more the other

and less themselves.

Like beasts who love

in shadow’s spheres,

they entered metaphor,

and returned home.

(March 5, 2020)

amorphous

from a work in progress: “process, not a journey” (14)

forgetting the pattern of fear

and doubt tangled about me

I fall out of sleep and remember

what parts of myself I need

to continue some resemblance

of the day the inessential shades

my ghosts as darkly as the essential

each shifts its position evasively

when questioned like a cat

slips through shadow and grass

(January 21, 2020)

the future was a threat

from a work in progress: “process, not a journey” (12)

in school we were always on the move

field trips to museums to math class

with Mr. Buesing to middle school

to high school to college the future

was a threat brandished like a whip

by degrees our world turned

then it stopped and I stumbled

and found myself here in the mud

like a body dropped from the door

of a passing car

(January 18, 2020)

Fairy Tale Endings

from an untitled serial poem (2)

tufts of dark fur

scraps of red cloth

broken glasses pools

of wine the remnants

of someone’s meal

are splashed across

the cottage like blood

on a butcher’s apron

she is not here

neither is he

one fled

one’s dead

birds hop and sing

on the window sill

a family of rabbits

nibble grass

along the path

the door lies shattered

on the ground

dry splinters of wood

punctuate the grass

with unvoiced cliches

(January 3, 2020)

Start the Way You Intend to Go

from “an untitled serial poem”

grey and cold all day

the year begins again

cedar pollen drifts wildly

I can feel the shredded bark

deeply behind my eyes

trying to cut a way out

I’m not surprised but fear

all that has changed enough

to become a normal day

as wolves claw and slaver

at the door

(January 2, 2020)

note: I am starting a series of 140 poems, the length of each poem will be a set number of syllables determined by a random number generator. each poem/stanza will organically arise from the previous poem/stanza in the series in the manner of a renga without following the traditional renga’s syllable parameters. Additionally there is another requirement put upon every tenth poem/stanza in the series which will connect it to another “ten” poem/stanza following abstractly the traditional rhyme pattern of a Shakespearian sonnet. This is the second time I have written a longer poem following this self-imposed system. The first was called “Sonnet: a rengaThis is the beginning poem/stanza of the new series.