Category: work

  • The thing is you won’t live long

    anyway

    the thing is to see where you are

    While you are—

    —George Oppen

    fool, look out the window

    And write

    —George Oppen

    You must go on. I can’t go on. I’ll go on.

    ― Samuel Beckett

    I made the mistake of looking at an old “manuscript” from about 15 years ago. I made it about 10-12 pages in before I ran across a couple of lines that I could call good enough to be poetry. There are about 40 more pages to go. I hesitate to go on. I have always over the decades cycled up and down in my opinion of my writing. I know, every writer has doubts. But that does not make it any less depressing when I am plummeting, nor any more justifiable when I am flying high. I remember Robert Frost saying somewhere that he didn’t write experimental poetry, because experimental poem was another name for failed poem. The poem either worked or it did not. If it did, then it was not an experiment; if it failed, then it wasn’t a poem. The old manuscript was not a poem—which was depressing. Instead it was a series of posturing hoping without hope to somehow adhere from one poem/stanza/blither to another without any real attempt on my part beyond “chance” in some misguided belief that John Cage’s ghost would descend to lead me out of the wilderness of my hubris. I take solace in the belief that I knew it was crap, because I put it away and never really looked at it for the last 15 years. I somehow knew without knowing….I am smarter than I let myself be (to use a mantra I said about my students on myself).* My current plan is to plow through the fallow field, and see if there are some living roots that can be salvaged. It will be a trudge. But then, what else would I be doing.

    *They are smarter than we let them be.

  • Starting my 44th Notebook in 32 years

    I open another, and begin again—

    Without an end game in mind

    other than to continue writing.

    I follow the line as it unfolds

    from the pen to the page; 

    surprising me still, it knows.

    (July 16, 2024)

  • such arrogance, this trope

    where we bend a new world

    to our image, our doubts

    and failings, our belief

    we are somehow unique

    against which all other

    must be compared wholly

    is too simple a path

    to follow with devotion


    who are we to demand

    our vision, no matter

    how myopic, provide

    a luminous clarity

    for all who are not us

    as if we were small gods

    caught up in a turf war

    where any loss in faith

    begins a slow decline


    that in and of itself

    becomes a corollary

    tangental to love:

    so we cower in fear

    the mind’s splinter slices

    along old wounds to bleed

    like stigmata, easy

    to hold close, as our days

    fall away to soft ash


    (July 3, 2024)

  • (8 of pentacles-reversed, rider-white)

    I’m not sure

    why i continue

    to write,

    to stack thirty years

    of notebooks neatly

    upon the shelf

    like dead flowers 

    from old lovers—

    But I do write,

    cutting lines of memory

    like a stonewright

    with a chisel,

    exacting

    bits of my vanity

    with each stroke

    of the pen until 

    what is left

    is, perhaps,

    made more

    by what has been

    taken away.

    (October 8, 2023)

  • “all the borders of itself”

    -Ranier Maria Rilke

    The worm turns

    into itself

    to remember

    the strands,

    the traces,

    which wove

    the carapace

    it will

    leave behind.


    I must change

    my life.

    (January 9, 2023)

  • He sits in a wooden chair

    in the center of a locked room.

    The chair is bolted to the floor.

    The room is bare, but for a light

    hanging above him like a sword.

    The light is dim, without a shade.

    He is not wearing a blindfold,

    but he might as well be—

    for there is nothing to see

    beyond the industrial gray walls.

    No one has come into the room.

    He is not sure how he arrived,

    only that he is here now, alone.

    If he listens he can hear his breath

    otherwise the room is silent

    as if all sounds are absorbed

    into the walls before they enter.

    he sits with his back to a locked door,

    or what he assumes is a locked door,

    for he has not attempted to open it.

    Every now and then a light flickers

    beneath the door as if a warning

    to him in a code he cannot fathom

    even if he were able to see it.

    The room is cold, not overly so, but

    enough to cause his nose to run.

    He would like to wipe his nose

    but his hands behind his back are tied,

    as are his feet to the chair’s legs.

    He doesn’t know how long he has waited,

    nor how much longer he must wait,

    nor what he is waiting for exactly:

    just that he waits in a chair, alone, 

    in a room; and, he is just like you.

    (October 4, 2022)

  • Tomorrow I go back on contract for my 33rd year of teaching. Last year was one of the worst years because of distance learning and the lack of contact with my students. The Students are always the best part of teaching, and for the last eight years (starting my 9th) at Ann Richards, I have had the best students ever, every year. Last year it was important that we teach remotely. The students, their families, my fellow teachers, my family and friends were at risk to this horrible deadly disease. We stayed at home and did what we could through a screen full of little boxes, because we had to. This year there is a more deadly, more virulent version of the same disease, and even with the vaccine, which a too large group of people refuse to take, and with no vaccine for the under 12 group…. which means ELEMENTARY CHILDREN….. It is more dangerous than ever to go back. Yet, here we are.. going back into the classroom. Cases are already being reported at my school, and the district where my wife teaches, and across Travis county.  I fear for what will happen over the next few weeks and months, as we go full bore back into the schools.I fear for my students.  I fear for my grandchild who is starting in a pre-k program. I fear for my family. And all of this is not necessary, we could stay remote. At the very least the elementary schools should stay remote, until the under 12 children can be vaccinated. I don’t understand what is the end game of the politicians like the Texas Governor, who seem to want children to die. What is the benefit to them? I want to believe in a hell, so the people who are forcing this to happen have some place to go.

  • “My life could have turned out differently, but it didn’t.”

                      –Jim Harrison

    “I live with my contradictions intact”

             –David Ignatow

    “I’ve got to lose this skin I’m imprisoned in”

                      –The Clash 

    “Didn’t nobody seem to know me, babe, everybody pass me by”

                      –Robert Johnson

    It is easy to trace the twisted path which led me to where I am; however, it is a bit more difficult to see where I am going next. 

    An obnoxious student asked me last week, in regards to this assignment, what my “rock” was. In my usual evasive fashion, I responded, “You are” meaning all of them, my students were my rock. However, even though I enjoy teaching most of the time, when I think of why I do what I do, or rather who I am, I don’t think about teaching. I have several roles I have taken on over the years: husband, father, friend, teacher, student, doctoral student, writer, poet, fool. I don’t think I am a Prufrock, yet, sometimes I feel as if I am no more than a sad man walking along the beach with my trousers rolled. Having a meaning or purpose, it is often said, leads to a happy (ier) life. With that in mind I guess, I would say that teaching gives me some of my purpose, and poetry gives it meaning, or helps me to create a meaning, to create sense out of chaotic universe.

    Recently a friend wrote that she had a hard time calling herself a writer, even though I know she writes and writes well. A few years ago, a woman at the first meeting of a poetry group said she did not feel as if she could call herself a poet. I had just said as part of my introduction of myself that I had considered myself a poet since I was fifteen.  She seemed shocked that I would have the audacity to call myself a poet.  This inability to call oneself what one does came up again in another conversation between teachers. One man said that it felt somehow pretentious to call oneself a poet or a writer.  I asked the group how was it any more pretentious to say you were a poet than to say you were a teacher. To me it seemed more pretentious to lay claim to that title, to say, “I am a teacher.” I mean Jesus was a teacher. Who the hell am I? But I have over time become used to being called arrogant, so I guess that is why I have an easy time saying:  I am both: a teacher and a poet.  I don’t claim to be very good at either one, but I am both. Charles Bernstein said that if one says it is a poem, then it is a poem. No claims to quality, but it is a poem.  I am a poet.  I sit down with the intention of writing a poem.  I think about each line, the rhythm, the sounds of the words in relation to the other words, the phrasing, where I can cut and reduce, where something else needs to be added. I use poetry as a way of making sense of myself and the world I find myself in. As I have said elsewhere, poetry (both reading and writing it) helps keep the horrors of the world away and a way to find beauty everywhere and in everyone. I have consciously written poetry since I was fifteen; with luck, I will continue to do so the rest of my life. I am a poet.

    Of course, I am also a teacher. If some magical seer had appeared to me when I was a 17-year-old senior, and told me that I would be a teacher for more than 30 years, I would have laughed out loud just before dying in horror. Yet, here I am working at one of the best high schools in Texas as the senior APLit teacher. Sartre famously wrote about a waiter at a Parisian café. The waiter, according to Sartre, is only a waiter when he is performing as a waiter. So, following that train of thought, I am only a teacher when I am at work talking to my students. I rarely think about being a teacher. It is still, after more than 30 years, difficult to think about me being a teacher.  I suppose my life as a teacher would be inauthentic since I don’t think about why I do this beyond making enough to feed my children, pay the mortgage, and send them off to college. Yet, in some small way I like to believe that what I do matters, even though I know it probably doesn’t. 

    Maya Angelou said you remember how people made you feel, not what you learned. I think that is why when my former students run into me at HEB, or they come back to visit, they remember my class fondly. A few weeks ago, I was having a beer with a friend when I man in his thirties approached and asked if I was Mr. Neal, as if he were a process server for some lawsuit. It was odd to say the least. When I answered yes, he told me that he had been in my class when he was an eighth-grade student at Pflugerville Middle School. He said he heard my voice, and knew it was me. He remembered “The Road Not Taken.” (I used to have my students memorize poems). He said the first few lines. He said that had been his best English class, which I found embarrassing and kind of sad—his best English class was as an eighth grader. 

    I am not retelling this event as an attempt at self-aggrandizement, but to show how one’s self-identity is often much different than how the world sees you.  I am always uncomfortable when people try to define me to me. I find their descriptions to be too pat, too much mired in the cliché, too many wrong associations. I am a teacher, and I feel in some small way I am helping create a better world with my students; yet, I never really know what it is I am doing. 

    In a faculty meeting, several times, I have stated I don’t have any idea what my students are taking away from my class. In an age of standardized testing, to say I don’t know what my students learn in my class is tantamount to heresy. I don’t mean I don’t know what it is I am doing in class; I just don’t know what it is they are learning. And I certainly don’t see them as the number they receive on standardize tests.  I have had students tell me years after being in my class what they remember. It is always surprising to me what they found valuable, because it is never really what the objectives were in the class. 

    When people ask what it is I teach, they mean what books are we reading. They seem confused when I talk about my students. My students are what (who) I teach. Books, poems, essays, are just the ephemera of my class. The tools that are employed in the teaching. About 15 years ago, I would respond glibly to my fellow teachers when I was asked what I was teaching that six weeks with “Nothing.” My students read what they wanted to read, and for the most part wrote what they wanted to write. I ran my class as a reading/writing workshop. The district where I worked claimed that ELA did workshop k-12, yet I was the only teacher in my high school who did. So it often took several weeks to teach the students how to read on their own, to have the stamina to read for 20 minutes without interruption. So, one day after the students were fairly proficient at the process, I was sitting on the floor in the doorway to my class. I was monitoring the students who read in the hall, and the ones who stayed in my classroom. A history teacher walked by and said snarkily, “I wish I could not teach, and sit around all day and just read.” My students were on the verge of rising up against her, when I mumbled (they had learned to understand my mumbling at that point as well)—I mumbled in response to her, “One would have to know how to read first.’ She walked on, not hearing what it was I had said, and the students laughed as they settled back into their books. I developed a reputation with the faculty pretty much as a smart-ass. Not that they were wrong, but I interpreted what they saw as smart-assness, as more of a way not to scream expletives at them. I refused to accept their definition of what it meant to be a teacher. I created my own definition. Even if some of that definition was simply a defiant rebellion against my fellow teachers.

    I do think a lot about what I am doing both as a teacher and writer. So, I imagine I am attempting to be authentic in what I am doing. I question whether my praxis (my beliefs correspond with my actions) is authentic..not just me going with the flow because that is the easy way to go about life. As I said earlier, I am never sure if what I do is effective or worth doing at all. I will fluctuate between thinking I am a decent teacher, or writer, to thinking I am a fraud, fooling everyone, even myself. 

    And that is the point I think of life: to try to be brutally honest with oneself, to never settle back and assume you know what it is all about, because one can never know. Which is not to say that we should not try to understand our lives, we should always be trying, even if we know we shall never know. Embrace the vast absurdity of the universe with a passionate intensity, not matter how pointless. It is the process and the awareness of the life you are living that makes the life have meaning and be worth living.