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Chromosome Damage (work in progress, part 3)

(41)

The sideways shift and snip

Clatters across the sand.

It’s easier to move out of the way—

Trouble passes, one remains

To proceed with plodding step

Along one’s path.

(3)

Time’s slow arc

(34)

All the variables led here

As inevitable as this morning’s

Sun striking the sycamore’s white

Bark; no god laughs as our choices.

(14)

A left, a right, a yes, a no:

Life’s crushed to binary.

(16)

I close an eye

To see the obvious

Connection: the moment.

(15)

I stumble step across a bridge

Swinging above a crevasse.

(21)

No saints guide us home,

Nor care how far we fall.

The emptiness opens

Like an aura.

(43)

This morning everyone sleeps in

As fog drifts between the trees

Near the creek and the gray sky.

The last brown leaf has fallen

From the sycamore; the solstice

Passed under a full moon.

(30)

Dusk and dawn, progressive

And simultaneous, flow through

The landscape. Yet, we think

Our futile actions have consequence.

(19)

Like you,

Light bends

Along each wave’s edge

Into separate

And singular parts.

Source

images

Often while reading,

I scan the words,

turn the pages,

and then the book

vanishes, and I vanish,

aware of nothing.

 

To hold nothing,

and have nothing hold,

I desire this freedom–

a breath unnoticed,

as it is

ubiquitous:

 

Radiant, without center,

I cannot name

my discontent.

A wind, at my ear,

stills as I turn;

yet, still’s nearby.

 

(November 4, 2018)

Snapshot

source

 

As laconic waves lap the shore,

Children’s laughter catches the breeze;

And seagulls’ cries pierce the sky.

 

In the moment before it happens,

No one notices the clouds overhead

Casting shadows on the ground.

 

Recently, I saw an old photograph—

A typical summer beach scene:

Two young blonde women lean over

 

A railing in modest bathing suits.

They look out over the crowded beach

Toward the soft clouds on the horizon.

 

Everyone seems happy. Everyone

Exists in the moment, oblivious

To the candid moment they are in.

 

The caption reads: Germany, 1936.

It could have been any day;

It could have been today.

 

 

*(historical note: Dachau opened in March, 1933)

 

 

(October 15, 2018)

Ballistics

volleyball-serving

The young girl thinks

constantly of the proper

manner to serve

a volleyball true.

 

The smack-smack

of leather against

the polished wood floor

dominates and supersedes

 

the hard-lined proofs

of geometry; the arc

and vector, with

the slightest bump,

 

returns her to the game’s

concrete abstractions.

 

(September 19, 2018)

Where One Learns as What One Learns

Unknown

 

My old tai chi master

watched his students

study their college texts,

then laughed explosively

into the silence

of the courtyard,

our open air dojo.

We all looked up

like gazelle’s scenting

the air. He laughed

again, then said,

“There should be a book

on how to watch clouds.”

We looked at him quizzically.

“All it would say

on every page—

Look Up!”

 

(August 28, 2018)

sculpture

Stone-carving-gwlalior-960x598

 

“chiseller of inaccuracies”

–Fernando Pessoa

 

I would not speak

if I knew what to say.

There would be no need

to form words around

an unrealized dream.

It is the unsaid

which must be given

shape; which calls us

from its shapeless dark

to speak into existence

what we cannot know.

Yet, I know so little

about so much, I must

speak about it all.

I start where I am

which is always here.

First, I must listen,

discern the shapes

before I can speak.

My words carve out

what is there

from what is not

as the silence unfolds

a new kind of truth.

 

(August 23, 2018)