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Chromosome Damage (work in progress, part 3)

(41)

The sideways shift and snip

Clatters across the sand.

It’s easier to move out of the way—

Trouble passes, one remains

To proceed with plodding step

Along one’s path.

(3)

Time’s slow arc

(34)

All the variables led here

As inevitable as this morning’s

Sun striking the sycamore’s white

Bark; no god laughs as our choices.

(14)

A left, a right, a yes, a no:

Life’s crushed to binary.

(16)

I close an eye

To see the obvious

Connection: the moment.

(15)

I stumble step across a bridge

Swinging above a crevasse.

(21)

No saints guide us home,

Nor care how far we fall.

The emptiness opens

Like an aura.

(43)

This morning everyone sleeps in

As fog drifts between the trees

Near the creek and the gray sky.

The last brown leaf has fallen

From the sycamore; the solstice

Passed under a full moon.

(30)

Dusk and dawn, progressive

And simultaneous, flow through

The landscape. Yet, we think

Our futile actions have consequence.

(19)

Like you,

Light bends

Along each wave’s edge

Into separate

And singular parts.

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Chromosome Damage (continued)

(Work in Progress)

(23)

I caught my breath,

And did not speak.

Is writing equivalent

To speech? I loved you,

In silence.

(42)

Self-doubt’s constant

Caterwauling echoes,

Like now— I mock

Attempts to quiet:

Hush, hush

Little baby hush—

All these scorpions

Are your own, each

Tail-strike skitters

Across skin.

(11)

Memory circles back to savage the corpse.

(42)

If only the dead would remain with the dead;

The past cannot so easily be revised—

I know what I desire to have happened;

Yet a mirror cannot be unbroken.

(12)

I can only see what

I think it is I see.

(4)

A lens warps light.

(38)

We are woven through our day

Despite our proclivities

Or desires. A thread’s easy

Enough to trace in retrospect

As being a part to a whole.

(31)

And here I am

Beneath a December moon

Waxing its way

Across a gray night.

Fate, or circumstance,

Is of no consequence.

(36)

He touches his forehead

To the damp ground

In a patterned response

To appease God’s chaos.

Here things are quiet;

Here one pretends

There is this center.

(6)

She waits, then dons her mask.

(7)

He scurries beneath the rain.

Only Traces Remain

P1020994

 

The sadness in the open rose

falls like petals to the path,

while you are somewhere else,

and I am nowhere near.

I hold on to the shreds

as a cicada’s husk

to a tree still clings

to a life not its own.

All maps are tattered

to an unstable memory–

which forms and reforms

until a landscape adheres.

Slowly I have fallen onto

a shapeless and empty road.

 

(September 15, 2018)

 

afterwards

images

 

She picked up his bones

scattered in the yard,

and took them into the house.

 

Her workshop was cluttered;

so she cleaned off a spot, and

orderly stacked them up.

 

Days went by, then weeks,

and finally years. The bones

collected dust like mementos.

 

One day, stumped, she looked

up from her work, and saw

the neatly stacked dry bones.

 

She laughed as she remembered

him, then went to work:

drilling, weaving, balancing.

 

She sang as she worked, happy

at last to be creating so freely

from his humble remains.

 

Finished, she took what she had

made from him, and hung

it from an old oak tree.

 

It danced a hollow dance,

clattering as the bones clacked

together with every wind.

 

In the evenings she would sit,

and sip a glass of wine, happier

than she had ever been with him.

 

(August 7, 2018)