winter’s end

from a work-in-progress: process, not a journey (40)

blue bonnets bloom in the backyard

as a new plague floods the city

fear all that has changed enough

to become a normal day yet forget

what patterns have been replaced

by emptiness reweaving a past

which should have existed like flowers

found pressed between the pages

of a favorite book marking the poem

you read to me when we were in love

instead of these tattered nets I mend

as best I can from wisps of memory

in the hope a better world will blossom

like the wild flowers in the backyard

(March 20, 2020)

amorphous

from a work in progress: “process, not a journey” (14)

forgetting the pattern of fear

and doubt tangled about me

I fall out of sleep and remember

what parts of myself I need

to continue some resemblance

of the day the inessential shades

my ghosts as darkly as the essential

each shifts its position evasively

when questioned like a cat

slips through shadow and grass

(January 21, 2020)

metaphor’s logic is like you know

from an untitled serial poem (4)

yet you know

we are alone

together

only in our common

solitude

I assume you are

like me a simile

if you will 

like

an understandable analogy

a cat is to a dog

as a rabbit is

to a stellar singularity

I fear the wind

in my fur

is a tell a fox is near

a trap is set to drop

I am aware 

because somewhere

some other thought

and told some other

who eventually

inscribed the pattern

along a random strand

like now

(January 6, 2020)

Start the Way You Intend to Go

from “an untitled serial poem”

grey and cold all day

the year begins again

cedar pollen drifts wildly

I can feel the shredded bark

deeply behind my eyes

trying to cut a way out

I’m not surprised but fear

all that has changed enough

to become a normal day

as wolves claw and slaver

at the door

(January 2, 2020)

note: I am starting a series of 140 poems, the length of each poem will be a set number of syllables determined by a random number generator. each poem/stanza will organically arise from the previous poem/stanza in the series in the manner of a renga without following the traditional renga’s syllable parameters. Additionally there is another requirement put upon every tenth poem/stanza in the series which will connect it to another “ten” poem/stanza following abstractly the traditional rhyme pattern of a Shakespearian sonnet. This is the second time I have written a longer poem following this self-imposed system. The first was called “Sonnet: a rengaThis is the beginning poem/stanza of the new series.

Prey

Since I am 

no snake

sloughing skin,

I hide my scars 

in an imagined other.

Not the obvious,

oblivious sheep,

but one more wary,

who waits

along the edge

knowing fear,

knowing

like rabbits:

one step left,

one step right,

without calculation,

equals death;

and any

volition ends

with a quick flutter

of feathers,

and the talon’s

sharp pang

lifting one

toward heaven

like a song.

(October 1, 2019)