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amorphous

from a work in progress: “process, not a journey” (14)

forgetting the pattern of fear

and doubt tangled about me

I fall out of sleep and remember

what parts of myself I need

to continue some resemblance

of the day the inessential shades

my ghosts as darkly as the essential

each shifts its position evasively

when questioned like a cat

slips through shadow and grass

(January 21, 2020)

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metaphor’s logic is like you know

from an untitled serial poem (4)

yet you know

we are alone

together

only in our common

solitude

I assume you are

like me a simile

if you will 

like

an understandable analogy

a cat is to a dog

as a rabbit is

to a stellar singularity

I fear the wind

in my fur

is a tell a fox is near

a trap is set to drop

I am aware 

because somewhere

some other thought

and told some other

who eventually

inscribed the pattern

along a random strand

like now

(January 6, 2020)

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Start the Way You Intend to Go

from “an untitled serial poem”

grey and cold all day

the year begins again

cedar pollen drifts wildly

I can feel the shredded bark

deeply behind my eyes

trying to cut a way out

I’m not surprised but fear

all that has changed enough

to become a normal day

as wolves claw and slaver

at the door

(January 2, 2020)

note: I am starting a series of 140 poems, the length of each poem will be a set number of syllables determined by a random number generator. each poem/stanza will organically arise from the previous poem/stanza in the series in the manner of a renga without following the traditional renga’s syllable parameters. Additionally there is another requirement put upon every tenth poem/stanza in the series which will connect it to another “ten” poem/stanza following abstractly the traditional rhyme pattern of a Shakespearian sonnet. This is the second time I have written a longer poem following this self-imposed system. The first was called “Sonnet: a rengaThis is the beginning poem/stanza of the new series.

Prey

Since I am 

no snake

sloughing skin,

I hide my scars 

in an imagined other.

Not the obvious,

oblivious sheep,

but one more wary,

who waits

along the edge

knowing fear,

knowing

like rabbits:

one step left,

one step right,

without calculation,

equals death;

and any

volition ends

with a quick flutter

of feathers,

and the talon’s

sharp pang

lifting one

toward heaven

like a song.

(October 1, 2019)

Pompeii

Always nearby, Fear hangs back

floating like the hint of smoke

on the horizon. The city lies

in that direction. Home lies

in that direction. We are not

going back again. Still, it comes.

Its tongue insinuates the air; soft

words clot our ears with ice.

This is the time which we live in:

slow lumbering ideas, empty and angry,

tumble through the streets like rocks

tossed by giants from mountain tops.

No one notices the viscous fire

burning the flesh from our bones.

(September 4, 2019)