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Infinite Watched Pot

“That is, if you write it has it happened twice”

—Michael Palmer, Notes for Echo Lake

I woke and now it is now; the sun’s setting.

Was the writing the thing that happened?

Would today happen without being written?

Are they two events or one?

I see something—

like a car crash,

or water boiling on the stove.

One’s disconnected,

one’s intentional, possibly

even a causation; for example;

I’m hungry, so

I hop in the car for a burger.

She was in a hurry. It was

raining. She slams through a yellow light.

The driver in front of me dies

on the wet street. Or,

I’m still hungry. I hold dry

pasta knowingly, and watch

as the tiny bubbles form

on the bottom of the pan.

Did anything happen?

I am hungry, and will be

each time you read this,

even if I was the driver

who died, or I just wrote

it down; even if something

more than this

was in my thoughts

as I waited for water

to boil.

(May 3, 2020) 

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afterthought

from a work in progress: “process, not a journey” (56)

a residue lingers in the air

it curls like cats purr

their self-absorbed song

between your feet

and the lies you stand upon

.

most days the end of the sentence

arrives long after your focus

has blurred and you’ve slipped

from the book stunned

by the light in the street

.

no one but you sees the rabbit

scurry down the hole

for like a wolf the brush devours

any trace of stillness that remains

between the bluebonnets and clover

.

these are your thoughts your dislocations

like a floral hint upon a breeze

they vanish as you turn lost

in the thought you lost in turn

(April 24, 2020)

In the Blood

The lie of my truth

visors the angle

of my descent.

I have no face,

but reflection,

a mirror

to lace assumption’s

discordance.

My flesh contains

shattered selves—

a prismatic array,

where each shard

bends an image

of itself into another.

This truth lies

along an edge

of broken glass;

it slices the air

with ribbons of light,

like tall grass

cuts children’s legs

as they flee through

the last summer fields.

(August 15, 2019)

The Commute Between Day and Dream

Lost amid the accusations

and misappropriations

in bars and vague hallways,

he wakes into his troubles

unable to disaggregate

his shadows from the dawn.

Behind him, they trail ribbons

of smoke, curling about his feet

like cats hunting rats,

whenever he stops to think.

From frozen puddles, old friends

and loves rise toward him;

their faces blurred beneath ice.

They then sink away, as quickly,

leaving him to shuffle his fingers

uncomfortably across the steering wheel

as he waits for the light to change.

(July 24, 2019)

Returning Home


Like lover’s forgotten notes,

disturbed dreams fold

into night’s pocket. I wake

into another dark morning,

surprised I was still asleep.

It’s wearing to be aware

even in one’s dreams. The days

protective surety thins

and the ground falls away

into air. Too often I return

to you, who does not exist

beyond my desire for you

to exist. Like stepping 

suddenly into a forest 

clearing, each narrative 

trace left from dream,

or memory leads me into 

a present space. Not caught 

up in past complications,

nor the fractal explosions 

on the verge of occurrence,

I notice momentarily 

the effulgent light along

The edges of the shimmering 

leaves, and I am happy.

(January 15, 2018)

Chromosome Damage (continued)

(Work in Progress)

(23)

I caught my breath,

And did not speak.

Is writing equivalent

To speech? I loved you,

In silence.

(42)

Self-doubt’s constant

Caterwauling echoes,

Like now— I mock

Attempts to quiet:

Hush, hush

Little baby hush—

All these scorpions

Are your own, each

Tail-strike skitters

Across skin.

(11)

Memory circles back to savage the corpse.

(42)

If only the dead would remain with the dead;

The past cannot so easily be revised—

I know what I desire to have happened;

Yet a mirror cannot be unbroken.

(12)

I can only see what

I think it is I see.

(4)

A lens warps light.

(38)

We are woven through our day

Despite our proclivities

Or desires. A thread’s easy

Enough to trace in retrospect

As being a part to a whole.

(31)

And here I am

Beneath a December moon

Waxing its way

Across a gray night.

Fate, or circumstance,

Is of no consequence.

(36)

He touches his forehead

To the damp ground

In a patterned response

To appease God’s chaos.

Here things are quiet;

Here one pretends

There is this center.

(6)

She waits, then dons her mask.

(7)

He scurries beneath the rain.