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My Poetry and Commentary on Life

  • This Writer’s Beginnings: EarlyYears
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  • not today this morning

    by

    aging, anxiety, borders, death, dream, fear, poetry, time, transition

    a dark figure in a black hooded-cloak

    moves restlessly near the far bedroom door


    who’s there I shout out in a nascent fear

    as I sit up in the pre-morning gloom


    one dog tilts her quizzical head at me

    before slipping quietly back to sleep

    (October 4, 2024)

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  • return to anonymity 

    by

    assignment, poetry, response

    no one talks about the moth

    after the flame’s attraction:

    the charred bits of wing, and thorax,

    which sink into melted wax

    (September 29, 2024)

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  • translation’s metaphor

    by

    abstract, clarity, difference, language, metaphor, poetics, poetry, translation, writing

    describe something

    in terms of something else


    say what it is

    by saying what it is not


    see the world

    by looking away


    it is

    as if it were

    like this


    nothing


    more

    (September 29, 2024)

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  • origin of speech

    by

    abstract, agency, communication, conversation, inner speech, poetry, silence

    1)


    too often,

    too eager

    to exist,


    I interrupt

    to take part

    outside myself


    2)


    too often

    too impatient

    to follow convention,


    I stutter,

    or stay, too often,

    silent


    (September 29, 2024)

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  • Quick Response to “Drive Your Plow Over the Bones of the Dead” by Olga Tokarczuk.

    by

    poetry

    I finished the RFB selection for October just now. My wife has been telling me that I would probably like “Drive Your Plow Over the Bones of the Dead” by Olga Tokarczuk for months now. So, I picked it for my selection for RFB (my book group). Tokarczuk is a Nobel Laureate. The book is a murder mystery by genre, although it was fairly obvious fairly quickly (at least to me) who did it, and why for the most part. When the why was finally made clear, I made the obvious connection to John Wick (although I doubt the novelist was thinking about Wick). I found the constant talk of names —— real and ones given by the protagonist— to be an interesting theme. Who are we really? What do our names say about ourselves? What do the names we call others have to do with how we perceive them/treat them? Etc. Other ideas which could be explored if one was of that bent: what constitutes reality (William Blake quotes), agism, patriarchal power, what country you are from, as well as fate (astrology), and language and how it translates into our life through use and custom. I’m not sure about the meaning of the title, other than it was one of the many William Blake quotes laced throughout the novel. I could probably come up with something if I wanted to spend the time to do so, but I don’t. “Drive Your Plow Over the Bones of the Dead” was okay overall, I would not be hesitant to read one of her other books. 

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  • More Than Any Alice Could Imagine

    by

    blame, despair, eros, interrelationships, love, paradigms, poetry, relationships, sadness

    After wandering lost,

    circling familiar trails,

    I brought us here again:

    a reflection in a mirror

    of a mirror’s reflection.

    If I turned to you now,

    my face in your eyes,

    your face in my eyes,

    and supposed

    a vision of love,

    would much change

    from what it was,

    or what we have become?

    (September 26, 2024)

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  • Still Life: Trust as a Form of Truth

    by

    acceptance, attention, doubt, life, meditation, objectivism, poetry, trust, truth, ways of knowing

    Still Life: Trust as a Form of Truth

    In the wooden chair

    we use on occasion,

    next to a house plant

    I forget to water;

    yet has lived for years,

    sits an old guitar

    I cannot play.

    It’s out of tune,

    I’ve been told;

    which could be true—

    but how would I know

    any more than this?

    (September 21, 2024)

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  • An Horarium

    by

    attention, contentment, happiness, patterns, poetry, sonnets, time

    The chihuahua pup desires in again.

    He curtly scratches the sliding door glass,

    then stares impatiently into the house.

    His alert ears twitch and turn like radar

    testing the distant reaches of the house

    for his dull-witted human’s slow approach.

    Then there I am. He wags his approval

    then prances past to quickly patrol the house.


    My slow days consist of subtle patterns,

    mostly woven through the minutiae of

    the dog’s daily routines. He calmly herds

    me about as I move from room to room,

    sitting patiently nearby as I read,

    or attempt to write about happiness.

    (September 19, 2024)

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  • Cave Dwellers

    by

    allegory, awareness, fear, perspective, poetry, sonnets, ways of knowing

    “We are blind and live our blind lives out in blindness. Poets are damned but they are not blind, they see with the eyes of angels.”

    –William Carlos Williams

    As the fires slip to embers,

    the cave walls grow close.

    Only the oldest visions glow

    with clarity enough to divine.


    Fear was ever the chain

    which bound us to the floor,

    eyes fixed upon the shadows

    eager for tranfiguration.


    Outside, the sun has set. It’s dark,

    too dark to see our haggard faces. 

    The new moon has yet to rise,

    and heavy clouds obscure the stars.


    We huddle closer together, afraid,

    whispering our secrets through the night.


    (September 17, 2024)

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  • Poem Beginning with Lines from Gustaf Sobin

    by

    agency, awareness, identity formation, poety, sonnets, ways of knowing, words

    all the meanings, values, irrefutable

    definitions we’d/ given ourselves

    peel away into broken abstractions.


    We have assumed most of who we are,

    little of which is true, though believable 

    within the confines of childhood stories.


    After the particulars parade past

    with their horrors and delight lost in flames,

    we seek solace within our curtained rooms.


    Our pets peevishly crawl from the corners

    to protect us from the expectations

    which cling like the aftermath of a fire.


    The shapes and textures of these words matter

    for there is little which cannot be burned.

    (September 14, 2024)

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  • Joy

    by

    poetry

    “What is this joy? That no animal

    Falters, but knows what it must do?”

    —Denise Levertov 

    Then without traction, Masie and Ziggy

    Skitter across the tile floor to greet me.

    When after a frustrating day

    Of fruitless errands,

    I return home empty-handed.

    (September 5, 2024)

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  • Waiting for You

    by

    poetry

    I should go, but I don’t.

    The silence is too loud

    to mask my good-byes.


    I pour more whisky,

    swirl the ice idly,

    then swallow it.


    Of course, you arrive late,

    in a flurry of hugs.

    “I’m surprised you’re here.


    I’m surprised as well.

    We should talk, I think.

    But, of course, we don’t.


    I leave the party soon after—

    uncertain, why I am here.

    (August 31, 2024)

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  • no one speaks for the dead

    by

    poetry

    it is difficult enough to speak

    while living, to say what we must

    and still be honest and true;


    the compromises and small capitulations

    that allow us to breathe, too often

    overwhelm, rendering us speechless.


    at best, we blandly whisper behind

    set smiles, conditioned over decades

    to say only what is expected to be said.


    to use the last words left to us,

    without vague shades of nuance,

    and shape them to our heart


    becomes the imperative

    which silently devours us all.

    (August 26, 2024)

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  • Within the Parameters of Joy

    by

    poetry

    And the day begins again—

    I feed the dogs, then let them out

    to patrol the back fence line.


    With everything in order,

    they tumble into the house,

    obliviously happy.


    They settle about me

    as I read the day’s news

    full of deceit and death.

    (August 24, 2024)

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  • Flaneur in Retirement

    by

    poetry

    Despite what I say

    I am happy mostly,

    but lack permission

    to be so.

    I cloak the day

    in jaded irony

    to mask contentment

    against doubt.

    Too often fear niggles truth

    into a lie incongruent

    with the line I follow. 

    Here is where the metaphor goes

    awry, like a compass near a lodestone:

    I know where I am going,

    but am offered other models

    best suited to other’s destinations.

    A purpose to my wanderings

    is defined along the way,

    like butterflies descending 

    momentarily from their migrations

    to alight with a random grace

    upon the blue flowers 

    blooming in our backyard.

    (August 20, 2024)

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