
A yellow finch alights
on a dying sunflower
to eat the dried seeds.
So we go on,
feeding with slow kisses
upon the dying.
(June 29, 2026)
by

If something is not part
of a pattern, does not repeat,
is it still not a norm—
the norm of the anomaly?
For more than fifty years,
I have scratched my poems
like a dog its ear searching
for temporary relief.
The comfort of a pattern:
another successful day
passes without consequence.
I’ve placed a word on a page,
replaced nothing with purpose.
As above so below.
(June 20, 2026)

From lackadaisical shadows
beneath a deep summer shade,
Long afternoons stretch slowly
into the lengthening night;
and old conversations drift
into comfortable silences.
Bits begin to fall away.
One idea contradicts
another until only a shape
of what’s not there remains
like ash, from a low fire,
maintains the shape of the wood
before collapsing upon itself,
and all that was there is not
but shadows cast by the moon.
(April 13, 2026)

He is in a chair in an empty room. It is dark outside.
He is in the same room, in the same chair. Light comes through a window.
He has questions, but is hesitant to ask. Unsure of the answer he seeks.
His uncertainty is his fear. He sits still for hours at a time.
The room never changes. The furniture is static and old.
The room is not the same, depending on where you look. Depending on where you sit.
The room was new once. The room is always empty.
The room filled with furniture slowly over time.
There are windows. They are shut, without curtains.
When the lights are on you can see in the room from the street.
There is nothing to see, but white walls without art.
There are windows, one cannot see much outside.
He holds his breath for minutes at a time.
When he feints, he quickly recovers.
(April 6, 2026)

I’m bored
as I write
this poem—
Not too much here
that is not mine
to ruminate:
the mistakes,
and broken desires
left behind
in memory
clot the way
with the pretense
of fate. Only fate
is just the past:
I’m here reading
what I write,
because I’m here,
not somewhere else
reading something
else I wrote today.
Somedays are destined
to be something else
which could have
happened somehow
on a warm afternoon
after a yawn or two,
but then didn’t.
(April 2, 2026)

The dogs are disturbed;
their morning routine
has changed. They know it.
They follow closely
as I do not follow
their daily pattern.
They are anxious
for the future
to be the past,
for their bowls to be
filled with kibble
on time, now.
They know the past
is not prologue; the past
is the future; the past is
now. They know it.
Their dark eyes full
of soul follow me
through the house
wondering why
I do not know anything,
so simple,
about time.
(April 1, 2026)

Free of belief’s comforting vanities,
the small profundities of the day
reveal themselves through slow unravels
as their collective weight strips conceit
away, leaving bare bones exposed
to judgement and snide approbation.
(March 4, 2026)

a scream like lightning
rough ragged quick
followed by male laughter
then more garbled screams
like dogs growling
lights go off and on
upstairs then downstairs
the front door opens
light stabs across the yard
then the door slams shut
a bedroom light remains on
a car guns out of the driveway
then shoots off into the dark
then silence
(February 28, 2026)

it may just be
a timely coincidence
but have you noticed
the last circle of hell
in dante’s inferno
ends in the cold
betrayal of ice
(February 17, 2026)

I’ve tossed yarrow stalks on a table,
and stared blankly at arcane cards
pretending at small divinations.
Last week I’ve been reading poetry
that survived orally for millennia
before copied slowly onto a page.
I’ve done all these things before,
so much so I almost recognize
the footprint’s patterns in the sand.
Each morning repeats itself:
I let the dogs out, start coffee, piss,
as if the sun wouldn’t rise otherwise.
Yet, it does, as it will again:
so starkly beautiful, so new.
(December 15, 2025)

another bleak day
what autumn color there was
has returned to brown
(December 2, 2025)

The wind gusts in bursts
rushing leaves down the street
in a spasm of seasonal ritual,
as if a pattern’s repetition
creates a meaning separate
from our own simple noticing.
I have a hard time hearing
these voices of the world
through the constant clatter,
through the daily dazzle
and flash of the spectacle
playing in the wind’s
petulant laughter.
My screams are too loud.
To maintain my illusion
of safety, of purpose,
I whisper stories to myself.
I know stories are stories
and how they move through
each other like incestuous ghosts,
or confluent rivers, shaping
one another as they change.
I know change is incremental,
so I listen closely to my heart.
I notice a difference, but
am unsure what is different—
my notice, or the angle
of the wind through the trees.
(November 13, 2025)

these wounds will not heal into darker scars
these words will not heal into darker scars
they will burn forever on tongues of flame
they will burn on lecherous tongues of flame
what slow darkness grows in from the edges
what slow darkness reaches in from the edge
there is nowhere to go but further in
there is nowhere left except what is here
caught in this spiral as vast as the sea
the words shift along incomplete circles
what songs can be heard in this vast darkness
what old music must play against the night
unformed patterns shatter into fragments
like laughter breaking across an old fear
(November 4, 2025)