Finished this today. Kind of like The Metamorphoses’ Greatest Hits. That is not a criticism. I had not heard of some of the tales, and I liked the non-bowlderized versions of the others, having read most of the tales in kids versions to my children decades ago. It was a fun read. If you see it used somewhere, it is worth picking up. Trivia for some of you guys: Ted Hughes was married to Sylvia Plath. ( I like pointing that out since he was apparently an ass to her. Now to the younger readers, he is a footnote to her. He was no slouch as a poet, however. The Crow is especially good as I remember).
The shuttlecock flits nimbly across the loom with a soft clacking beat. “For every time I’ve told this tale, I’ve told it twice again,” she implies with a sigh as she begins. She speaks of patience and home, and slow unsolicited seductions, as time unravels across the floor like red pools of forgetfulness at her feet.
He watches her hands shift the threads as if playing upon a lyre. He thinks, “There are so many ways through the woods; so many rivers and creeks to cross; so many hollows and caves to wander lost, always different, always the same as the ones crossed before.”
For years and years as he wandered, he watched the waves pulse repetitive hallucinations and horrors towards a horizon he could no longer see. Unearthly monsters churned the waters feeding one upon the other; the past devoured the past with a ceaseless hunger for more. While elsewhere late at night, she walked the halls without a light, leaned against a shuttered door, and listened to the incessant voices muttering their plots and plans for a life she abhorred.
As the story faltered to its close, there was no soft landfall upon the strand, no wreck scattered upon a beach; no violence in their reunion, nor familial embrace. What had grown between them, tangled like olive tree roots upon a cliff, could not be troubled enough to be called love, if it could be called anything at all.
The shuttlecock flits nimbly across the loom with a soft clacking beat. “For every time I’ve told this tale, I’ve told it twice again,” she implies with a sigh as she begins. She speaks of patience and home, and slow unsolicited seductions, as time unravels across the floor like red pools of forgetfulness at her feet.
He watches her hands shift the threads as if playing upon a lyre. He thinks, “There are so many ways through the woods; so many rivers and creeks to cross; so many hollows and caves to wander lost, always different, always the same as the ones crossed before.”
For years and years as he wandered, he watched the waves pulse repetitive hallucinations and horrors towards a horizon he could no longer see. Unearthly monsters churned the waters feeding one upon the other; the past devoured the past with a ceaseless hunger for more. While elsewhere late at night, she walked the halls without a light, leaned against a shuttered door, and listened to the incessant voices muttering their plots and plans for a life she abhorred.
As the story faltered to its close, there was no soft landfall upon the strand, no wreck scattered upon a beach; no violence in their reunion, nor familial embrace. What had grown between them, tangled like olive tree roots upon a cliff, could not be troubled enough to be called love, if it could be called anything at all.