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My Poetry and Commentary on Life

  • This Writer’s Beginnings: EarlyYears
  • Bread Loaf Influence
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  • reader response theory

    by

    communication, desire, dream, language, Language and Literacy, literacy, literature, meaning, metaphor, poetry, reader response, reading, relationships, sonnets

    he dreamed he could read
    her like a difficult text
    could part the oblique veils
    draped about her words
    slowly and with care run his
    fingers along the edge of her
    lines beneath the skin of her
    story opening her tale teasing
    fine points hidden from others
    massaging the tips of her phrases
    until she would unfold her meaning
    meant for him alone to mouth
    rolling each syllable like grapes
    succulent and ripe with love
    (June 30, 2013)

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  • four poems from "Sonnet, a renga"

    by

    fragments, language, life, poetry


    a vowel
    shift
    marks
    a foreigner
    —
    here I am
    each story
    draws a boundary
    around my life
    —
    and then
    his weight
    after the drop
    pulls the noose
    tightly around
    his neck
    until no word
    may escape
    —
    a sigh
    is
    a prayer


    (2011-2012, from “Sonnet, a renga)

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  • surfaces are revealing enough

    by

    dream, life, meaning, memory, poetry, ways of knowing

    “the surface of remembering”
                                        –William Faulkner
    safer in a way
    to accept
    what one sees
    is
    what one sees
    without
    the self-doubt
    of recollection
    the gathering
    together
    of strands
    of memory
    in frantic attempts
    to rethread
    the thoughts
    that focused
    the moment
    upon the surface
    of the day
    (June 27, 2013)

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  • idealistic pronouncement

    by

    hope, life, poetry, sonnets, ways of knowing

    truth is without trust
    it speaks without proof
    is known without belief
    it harbors no amity
    towards any who hear
    nor makes promises to keep
    one does not play safe
    with what truth offers
    for each day is at risk
    each moment opens anew
    toward a hope unfolding
    into some better world
    my truth I trust
    my ideal and my damnation
    (June 26, 2013)

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  • seven facets of a prism

    by

    language, life, meaning, poetry

    I take these stones
    from each of you
    and wall myself away
    ________________________
    where did my face go
    lost in the deception
    a secret from myself
    ________________________
    the standard trope
    to remove a mask
    leaves one an other
    ________________________
    another glob of paint
    covers a glob of paint
    smeared across canvas
    ________________________
    stereotypes claw like rats
    carving  wet flesh into
    filigreed bits of bone
    ________________________
    blood flows thick below
    the ephemera of  words
    choke on what you speak
    ________________________
    wash the colors free
    wash the blood away
    wash the water clean
    (June 26, 2013)

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  • erosion

    by

    borders, dream, life, liminal, metaphor, poetry

    dreams flow
    across
    night’s edge
    like
    waterfalls
    crashing
    into day
    draping
    all within
    a thin
    mist
    then push
    forward
    pool eddy
    form stagnant
    depths
    near bare
    oak roots
    to shape
    and
    reshape
    the river’s
    soft edge
    (June 25, 2013)

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  • Two Poems from My Book Of Changes

    by

    early work, life, poetry



    55.  The Unfolding
    June 9, 1995
    Like a vision of a rose – –
    petal by petal a moving form: 
    bud to full flower, my life,
    right now, unfolds into a clarity
    seemingly still – – my happiness
    tempered – – this too shall change.

    38.  Outside
    June 10, 1995
    Again, I lock myself in.
    Who is on the outside?  Like a 
    turtle tucked tight in her shell,
    I worry myself with the wind.
    If I want to find someone,
    I must go out and look.

    (1994-1995, from My Book of Changes)

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  • Time to Say It

    by

    communication, conversation, life, poetry, social construction

    So, what are you
    trying to say?
    Inside these stories
    you tell today?
    In which context-
    In what time-
    in what order-
    You laid the chain?
    Should I take them
    all and watch
    for patterns
    in the stars?
    Or should I take
    just one and see
    the link it forms
    with you today?
    (June 23 ,2013)

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  • becoming old

    by

    desire, dream, identity formation, life, poetry, thinking

    it was as if
    he didn’t exist
    to fold himself
    into himself
    in a frantic
    self-obsessed
    origami he
    pressed himself
    he had to pretend
    he wasn’t who
    he thought he was
    during the day
    instead he had
    to tuck another
    corner of paper
    under what he felt
    he thought was true
    then bend it back
    to disguise all
    which he desired
    of what was left
    of what he knew
    from the dream
    the night before
    (June 23, 2013)

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  • Blake’s Angels Walk the Street

    by

    dream, early work, life, mythic, poetry, thinking

    who am i
    i am you and 
    you are what is
    allowed by 
    my mind and yours 
    the strands of our 
    past knot a future
    in patterns like frost
    how can i separate
    vision and dream
    waking dulls thoughts
    slows transition
    clogs the mind
    with corporeal matters
    solidifies the world
    in which we live
    as i walk the street i see 
    angels and demons dancing 
    in people’s faces twisted in 
    threads of their thoughts
    like tangled nets in dreams
    which in turn 
    dance my life 
    in turn again

    (circa 1990-1994, from If This is a Comedy, Then Why Aren’t We Laughing)

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  • The Meat of the Matter

    by

    conversation, language, life, literacy, poetry, storytelling

    The chief use of the “meaning” of a poem, in the ordinary sense, may be … to satisfy one habit of the reader, to keep his mind diverted and quiet, while the poem does its work upon him: much as the imaginary burglar is always provided with a bit of nice meat for the house-dog.
                            __T.S.Eliot
    here’s a bit of marrow
    dripping from this broken bone
    suck from it what life you can:
    (for those
    who listen
    such exegesis
    turns stale;
    fresh meat
    has no time
    to grow old:
    eat well
    eat well)
    the story as always
    compressed to lines
    like fingerprints upon
    a dagger’s hard shaft:
    enough traces of some explanation
    hang upon each of our lips as we speak
    each word trails the blood of its past
    just as each person we causally meet
    as we walk down our tangled streets
    drags her chains into a present grace
    so much arrives foreshadowed
    as if we perpetually stroll
    along the curve of our world
    moments before an eternal sunrise
    our shapes await us
    fully formed and clothed
    then wait until a final tale
    clicks shut our coffin’s lid
    we pack our selves
    tightly into our molds
    each fragment of a story
    folded neatly within another:

    to fit curved spaces
    large swathes of meaning’s
    clipped off

    the hearer’s assumed
    to know those parts
    best left alone on the floor
    best left alone in the dark
    to listen for taps on the wall
    for those whispered codes
    which echo without a key

    (June 22, 2013)

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  • from sleep

    by

    early work, love, poetry

    a warmth
    awakens us
    leg on leg
    breast on chest
    hand on waist
    hand on neck
    lip on lip
    wave upon wave
    upon wave upon 
    you upon me
    upon you until
    sleep regathers us
    tangled
    in sheets

    (circa 1990-1994, from If This is a Comedy, Then Why Aren’t We Laughing)

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  • At the End of a Rainbow

    by

    early work, family, god, life, poetry, ways of knowing

    Ezra and Quinn, starved
    for attention, dance 
    on chairs huddled near
    the counter where
    I slice carrots 
    into crisp circles.
    The knife cuts quickly
    through the tense tissue.
    Ezra snatches a carrot 
    and pops it into his mouth.
    I snap like a bear trap.
    Quinn laughs and grabs
    his own carrot.
    I growl.
    A bear rises through me.
    Ezra and Quinn scatter
    like butterflies in a storm.
    I scowl and chew the leg
    mangled in my trap.
    Sunlight splashes
    through the bay window
    washing the walls 
    with the edge of day.
    The crystal prisms, 
    hanging in the window,
    have been dark all winter.
    Suddenly, they catch bits of light
    like hands lifting water
    from a well, and scatter
    them; a priest casting 
    a blessing across the kitchen walls.
    Ezra dances back,
    hands held high,
    his face covered in delight.
    “Daddy, look!
    Rainbows in my hands.”
    I kneel, take his hands in mine;
    red, yellow and blue shimmer
    our palms washing the mundane
    momentarily from my life.

    (circa 1990-1994, probably closer to 94, from If This is a Comedy, Then Why Aren’t I Laughing)

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  • lighthouse

    by

    acceptance, desire, irony, life, metaphor, poetry, sonnets

    from shadow and fog
    she rose along an edge
    of thought to taunt
    him toward desire
    no more aware of fog
    than the song she sang
    she waded along her silent coast
    oblivious to his troubled rocks
    each moment he held tight
    to a time he once called home
    between a song he heard at night
    and a wave crashing upon the shore
    until all that could not occur
    fell back into his darker sea
    (June 20, 2013)

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  • The Story

    by

    communication, hope, life, poetry, social construction, storytelling

    And when the story ends the song is over
                                                                Evan Boland
    The story never ends;
    the song never stops.
    Radiation glows all
    its fingers touch; glasses
    sing in tune with sound.
    The ecstatic wail of sex
    connects, compliments,
    the contrapuntal keening
    of a mother lost in 
    stillbirth’s lament.
    “The noise of myth”
    is a white noise,
    like fluorescent lights’ hum,
    or the universe exploding
    into infinite suns.
    The echoes wrap our speech
    in the way we stand in a doorway,
    in the way we look to the sky:
    the story contains us
    comfortable as our skin.
    (circa 1990-1994, from:  If This is a Comedy, Then Why aren’t we Laughing)

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