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Coupled

At home, they sit across from each other

like a pair of stone-silent gargoyles, when

he sighs to himself as if with remorse.

Looking up, she asks, out of politeness,

“Is something wrong?”  He shakes his head, and says, 

embarrassed that he had spoken out loud,

“Oh, Nothing, just thinking, at least nothing

important enough to say:  just thinking.” 

They watch each other with a quiet calm 

like the still center of a raging storm; 

each happy enough at home not to stir 

up any conversations to avoid. 

Slowly, they fall into their silences,  

starkly alone with their thoughts together. 

(April 18, 2019)

Ars Poetica: The Fiction of Truth


Since I do understand the importance

Of narrative, I tell stories without

Telling stories, like now, as I write this

Poem. I’ve created a fiction of me,

Truthfully, yet still a grounded fiction,

Who is speaking to you, someone absent,

As if we were strangers ordered to share

A rough table in a pub. But instead 

of talking about the local football 

team, or rudely about the government,

I talk to you as if you are in love,

Listening, as I speak, rather than write,

These simplistic thoughts upon this blank page,

And pretend you did not leave years ago.

(January 11, 2019)

How Poetry Works

An image like a flower,

something simple, a cliche

even, to distract away

from the slight of hand performed

beneath the mark’s open gaze.

Like now, for instance, you turn

your attention from the poem,

secure in your own slow thoughts;

what you trust to know trembles

as if a leaf in autumn.

Here exists my truth and yours.

I can explain myself true,

in a way that you cannot.

Thus, seeds grow into flowers.

(November 25, 2018)