
my resistances arise
through the day
in the way
I see
the trees leaf
the roses bud
and bloom only
to let go
their petals
to the ground
and here
as well as there
in the streets
filled with anger
is a beauty
and a love
which must be held
with all our arms
and named
with all our voices
no matter how small
or fleeting
we feel our hearts
to be
no matter the terror
slithering nearby
laugh as well
as mourn
sing as well
as scream
see more
than is allowed
see what we were
see what we are
and see what
we can become
(April 29, 2026)

the police break down doors
the wrong doors the wrong people
but in other states other cities
I try to be optimistic
the world has been worse
the terror the killing fields treblinka
just not so close not so near to me
I try to be optimistic
the streets are not slick with blood
skulls are not stacked on skulls
fresh ash does not fill our lungs
I try to be optimistic
the sun rises over stone henge
as it has for millennia

Finished the RFB book for this upcoming Sunday’s meeting. A fairly long (161 pages, seemed longer) rant from the point of view of a working class bloke (oppressed like Caliban in The Tempest by powers greater than him). Each chapter focuses on another aspect of his oppression.The main take away is the old adage: the more things change the more they stay the same. The powers that be (church, military, education, government, labor unions, etc) all contribute, if not conspire, to exploit, control, and oppress the working class. Much of what he shrieked about is pretty much still in play in our contemporary politics. So, it was not that I disagree with most of what he screams about, i simply found the writing to be over-wrought and turgid. The book cover claims it is a rediscovered classic. I am not sure a book can be called a classic if it had to be rediscovered. Isn’t a classic— a book that people have continued to read over the years? Not one, forgotten and unread, that some editor found in a book stall, then reprinted. But I quibble.

“What shall I say, because talk I must?”
-William Carlos Williams
Perhaps if I gnaw
off my tongue,
I could drown
in unvoiced blood.
I have no insight,
no words as balm
beyond my silence.
It’s easier, safer,
to be polite
to watch the end
and say nothing.
I am dumb-founded,
when I should scream
against all decorum.
(April 5, 2025)

The light fades again
across the mountains
outside the window
above his desk
where he reads
the old masters.
He looks up,
then, as if struck by a sword,
he furrows his brow.
But now is not the time
for blood to rain from heaven:
the war, as before, continues
unabated and unnoticed.
If he is to find purity’s root
within his world’s manifest divisions,
he must leave his comfortable chair
and charge into the heart of his war.
This must be done, again
and again, with an iron heart,
until he can laugh again;
and, the earth absorbs
the spilled wine
as if it were an apology
offered too late to a god.
(June 12, 2022)

All these rituals—
incense and prayer!
You speak too much
with too many words.
I spit; the sour taste
clings to my teeth.
(April 29, 2022)

certainty’s a razor’s edge
pressed lightly across skin
i draw a line along
the length of my arm
tracing a blue vein
a way in a way out
(May 4, 2021)

the turn was not a turn
you saw with my eyes
I blinked it vanished
she said no it was
not as you said
the way I knew it to be
the ragged lines spoke
with stranger accents
skewed cognates
the way was only
the way here
the sole path here
the sky cleared
the sky stormed
the rain was dry
the way here was
the only way here
only me here now
I only know
this language
the words come to me
by birth
by chance
by god
she said yes but
not as you said
only what I said
it was the way
I knew the way
the way I said
(May 3, 2021)

tension slips between
skin and flesh
as skillful as a fishmonger’s
blade slices down
the length of an eel
with one stroke
a practiced motion
without thought
like a priest at prayer
each wooden bead rolled
over fingertips in sync
with the slow muttered vowels
one patterned moment
moving toward the next
with endless patience
as the next ritual waits
for the candle to be lit
the words to flow
less with meaning
than as a balm
to still disquiet
(April 14, 2021)
from “Renditions of Change,” a work in progress

To be there. To bear witness:
one tells one’s story— That’s all!
That is how evil falls— Again
and again— tell one’s story.
(June 5, 2019)
from “Renditions of Change,” a work in progress

A door blows open;
I wake to a storm.
A familiar room whirls
in disarray. Fear dares
for someone to speak.
(May 17, 2019)