Flying free
through the blind night,
bats,
with their high lyric cries,
justify
the walls around them.
(July 19, 2021)
Metaphor’s Comfort
Category: poetics
The Whispers Drive the Narrative
The wild mustang grape vines
its way along the fence line,
further obscuring boundaries
between what is said,
and what is perpetuated.
The past is of no consequence
beyond familiar stories to bolster
today’s latest interpretation,
which momentarily coalesces
to cloak in ambiguity
the Absence as it festers
in vague nostalgic shadows.
(May 30, 2021)
Chagrin
Outside, a butterfly flits
across the sun-dipped tips
of black-eyed Susans
swaying in the wind:
While inside, I struggle
with what to write.
(May 21, 2021)
how history begins (136)
maps do not speak
as vaguely blurred
vowels along riverbanks
where second cousins
two counties removed
slur to their mates
nor sift for finer
details in pap’s
bourbon tongue
(April 26, 2021)
Four poems from a series (115-118)
each breath (115)
a butterfly turns
from the chrysalis’s shell
then flutters away like breath
(February 4, 2021)
problematic poetics (116)
each image resists
the metaphor’s
transformation
(February 4, 2021)
each tongue a border (117)
i struggle to translate
my language to words
i may speak with others
who are closest to me
and who are said
to share my tongue
(February 4, 2021)
vocabulary impediments (118)
talk normal
there boy
(February 4, 2021)
doorway (113)
formed out of these walls to shape
the air to separate here from there
beneath the dark winter quilts
my skin presses to your warmth
longs to be more than my limits
more than what’s contained inside
more an opening to other spaces
other ways with different lines
to cross with a limping accent
a creole to hone words into an edge
I know only what I know
my cell wall’s textures memorized
through the season’s slow change
the light and shadow through the bars
play their fingers in the silent air
like puppets alive to the string’s pull
Narrative’s Default
whose story
your story
my story
some other
someone speaks
some listen
some believe
some obey
here the page turns
hear the page turn
slow whispers
form a deaf ear
control’s the word’s
darkest destiny
(August 13, 2020)
Structures and Forms
I started a serial poem back at the beginning of January. The plan was to write 140 poems, each poem’s length pre-determined by a random number generator, ranging from 3-140 syllables. It was to follow vaguely the rules of a renga, where each poem grew out of the one before it somehow, whether through theme, pun, image, or a reply. The number of poems was determined by the number of syllables in a sonnet.
I have reached 80 poems in this series. I hit 40 back at the end of March. I have 60 more to go. I would like to finish this by the end of December, which means I should speed up a bit. LOL. I have never really written under a deadline except for required essays in grad school. However, 80 poems in 7 months is a fairly phenomenal pace for me.
I will now begin to move forward with the third ‘stanza’ while collecting and tightening sections 1 and 2, in hopes that as I reread and work over the first two sections, the third stanza will continue the conversations, if you will, that began in the first two “stanzas,” and the themes and images will continue to echo and grow organically in section three.
A little obsessive, but then what about life is not.
(July 27, 2020)
even now I hear them
from a work in progress: process, not a journey (72)
“Sea, I am like you, filled with broken voices”
—Guillaume Apollinaire
insistent demanding attention
soft whispers curl at my feet
like cats they claw at me
with their sharp reminders
lightly pulling at my skin
until the ground is awash
in the blood of memory
and then slightly below the surface
small phrases embedded in dead
conversations rise like tattered faces
from the sea to mouth their silent
vowels like fish dying in the sand
until the raw scraps of language
in which I am tangled
are cast out in a storm surge
far out among the dark waves
and I drown choking
with nothing to say
(July 6, 2020)
Infinite Watched Pot (a reading)
Infinite Watched Pot
“That is, if you write it has it happened twice”
—Michael Palmer, Notes for Echo Lake
I woke and now it is now; the sun’s setting.
Was the writing the thing that happened?
Would today happen without being written?
Are they two events or one?
I see something—
like a car crash,
or water boiling on the stove.
One’s disconnected,
one’s intentional, possibly
even a causation; for example;
I’m hungry, so
I hop in the car for a burger.
She was in a hurry. It was
raining. She slams through a yellow light.
The driver in front of me dies
on the wet street. Or,
I’m still hungry. I hold dry
pasta knowingly, and watch
as the tiny bubbles form
on the bottom of the pot.
Did anything happen?
I am hungry, and will be
each time you read this,
even if I was the driver
who died, or I just wrote
it down; even if something
more than this
was in my thoughts
as I waited for water
to boil.
(May 3, 2020)
