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with options of desire and defeat

from a work in progress: “process, not a journey” (8)

I don’t want

to be a salmon struggling

upstream to spawn and die

exhausted and decayed

nor

to be swept downstream

with broken branches and silt

into a churning sea

I want to be

a catfish

calm and content

deep within a silent pool

(January 12, 2020)

Fairy Tale Endings

from an untitled serial poem (2)

tufts of dark fur

scraps of red cloth

broken glasses pools

of wine the remnants

of someone’s meal

are splashed across

the cottage like blood

on a butcher’s apron

she is not here

neither is he

one fled

one’s dead

birds hop and sing

on the window sill

a family of rabbits

nibble grass

along the path

the door lies shattered

on the ground

dry splinters of wood

punctuate the grass

with unvoiced cliches

(January 3, 2020)

Start the Way You Intend to Go

from “an untitled serial poem”

grey and cold all day

the year begins again

cedar pollen drifts wildly

I can feel the shredded bark

deeply behind my eyes

trying to cut a way out

I’m not surprised but fear

all that has changed enough

to become a normal day

as wolves claw and slaver

at the door

(January 2, 2020)

note: I am starting a series of 140 poems, the length of each poem will be a set number of syllables determined by a random number generator. each poem/stanza will organically arise from the previous poem/stanza in the series in the manner of a renga without following the traditional renga’s syllable parameters. Additionally there is another requirement put upon every tenth poem/stanza in the series which will connect it to another “ten” poem/stanza following abstractly the traditional rhyme pattern of a Shakespearian sonnet. This is the second time I have written a longer poem following this self-imposed system. The first was called “Sonnet: a rengaThis is the beginning poem/stanza of the new series.