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My Poetry and Commentary on Life

  • This Writer’s Beginnings: EarlyYears
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  • Preponderance of the Great

    by

    aging, breach, chance, change, choice, delusion, i ching, life, liminal, meditation, middle-age, paradigm shifts, poetry, syllabics, transition, ways of knowing, worry


    from “Renditions of Change,” a work in progress

    I worry too much,

    or not enough,

    yet do nothing.

    Here at home

    cats curl

    in our laps;

    when friends visit,

    the table’s full,

    laughter and wine

    flow unabated.

    Far away

    along the edges,

    below the ice,

    cracks appear;

    and, the ground shifts

    beneath us.

    (March 7, 2019)

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  • The Corners of the Mouth (providing nourishment)

    by

    change, creativity, cycle, happiness, i ching, identity formation, life, poetry, process, work in progress

    from “Renditions of Change,” a work in progress

    I return again

    and again to

    gain small bits

    of what she offers.

    Often drunk

    at her table,

    I feed on

    her infinite root.

    Even as I am

    changed, Poetry

    absorbs the earth

    and all upon it.

    What part I am,

    what part I have

    become, rises

    into her dance.

    (March 6, 2019)

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  • The Taming Power of the Great

    by

    aging, change, education, i ching, poetry, reading, school, syllabics, teaching, time, writing

    from “Renditions of Change” a work in progress

    I read,

    write,

    and teach

    still;

    thirty years

    passed so

    quickly.

    (March 5, 2019)

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  • Innocence (the unexpected)

    by

    change, delusion, i ching, meditation, poetry, work in progress


    Oblivious, he scurries about

    without guilt.  A paper mask’s

    enough to escort him through

    this play. By default, self-deceit’s

    a natural innocence.

    (March 4, 2019)

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  • Return (The Turning Point)

    by

    change, i ching, paradigm shifts, paradigms, patterns, poetry

    from “Renditions of Change” a work in progress



    As any day, the cicada

    sheds its skeleton

    then sings once more

    into the summer heat.

    Each moment returns

    to extract hope

    from the smallest egg.

    I find myself,

    yet again,

    at a beginning.

    (March 1, 2019)

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  • Dawn’s Light

    by

    acceptance, eros, interrelationships, lament, love, memory, patterns, poetry, relationships, storytelling

    abstract backdrop of twisting smoke

    Slowly stirring

    the cold ash,

    he sifted her words

    from a memory

    which had drifted 

    softly into air, 

    like smoke.

    Vaguely,

    she danced

    away in silence.

    His words slurred

    into darkness:

    his story was

    not her story.

    (February 28, 2019)

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  • Examination

    by

    acceptance, happiness, life, poetry, response

    E

    “The unexamined life is not worth living”–Socrates

    What’s wrong with being

    happy? Oblivious,

    stumbling along, content

    with the morning sun

    parsing the petals

    of the rose’s first bud?

    Under the instant and

    insistent barrage 

    of doubt, the examined 

    life is not necessarily

    worth living. Living

    is worth living. Implicit,

    joy radiates, each moment

    transcendent, without

    need to justify within

    mocking parenthesis.

    (February 26, 2019)


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  • Splitting Apart

    by

    acceptance, change, i ching, life, memory, patience, poetry, transition

    from “Renditions of Change” a work in progressS


    I sat still in the dark

    on the bank of the river.

    The river was rising, so I moved

    to higher ground. I could not

    stop the river, nor hasten

    the oncoming day. Sometimes

    to do nothing is resistance.

    (February 26, 2019)

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  • Morning Fog

    by

    assignment, change, haiku, nature, poetry, transition, zen


    Dim light crept like rust

    across the leaf’s edge water

    tensed into a fall

    (February 22, 2019)

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  • Grace

    by

    anger, broken, chance, change, choice, control, i ching, life, liminal, poetry, work in progress

    from “Renditions of Change” a work in progress


    To pitch lit matches 

    at gasoline is not the way

    to shine a light

    on small irritants.

    Yet, I have my tinderbox

    ready to strike,

    my clothes are soaked to skin,

    waiting to burn.

    (February 21,2019)

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  • Biting Through

    by

    chance, change, communication, inner speech, poetry


    from “Renditions of Change” a work in progress

    My voice is not

    enough to speak.

    (February 29, 2019)

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  • Contemplation

    by

    cliche, delusion, i ching, identity formation, meditation, poetry

    from “Renditions of Change” a work in progress


    I observe myself

    to obscure

    myself. Too

    many explanations

    destroy the art.

    Platitudes, as these

    and this, are 

    easy to impose—

    my reader,

    my brother,

    myself. Notice

    the time, yet

    be honest

    in yourself,

    without becoming

    the lie as well.

    (February 29, 2019)

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  • Approach

    by

    chance, change, hope, i ching, meditation, paradigms, patterns, poetry, work in progress


    from “Renditions of Change” a work in progress

    Hope flourishes

    as spring buds appear;

    My students grow anxious

    as graduation approaches.

    (February 20, 2019)

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  • Linear Circles

    by

    abstract, chance, change, fate, patterns, poetry, sonnets

    L

    The beginning squeezes back

    like a hermit crab retreats

    deeper into its ever-tightening

    shell. This moment opens

    into and closes off the last

    and next, as we each pretend

    we are a cumulative consequence.

    God, if extant, does not care

    about time and its causes, the click

    and clack of the marble rolling

    through preordained mechanics,

    nor the butterfly landing on her hand.

    I fear pat endings’ homilies,

    as if someone turns off the lights.

    (February 15, 2019)

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  • Enough

    by

    education, poetry, politics, students

    Last year on Valentine’s day, my students were working on three of the stories which are alluded to in T. S. Eliot’s the Wasteland. On the way home that day, I listened to NPR’s reporting of the shootings at Marjory Stoneman Douglas High School, where seventeen people were killed, and another seventeen injured. Since the Columbine High School, Every time there is another school shooting, I think about the students I teach everyday: the joy, trust, hope, and curiosity they bring with them into the world. As news of another killing happens, I cannot avoid thinking about them bleeding out on the floor of my classroom. I am horrified at the “solutions” offered by our political leaders: arm the teachers, “harden” the schools, conduct live shooter drills as casually as fire drills. Last year, I responded personally, the way I respond to most of what troubles me by writing into the horror. A few weeks later Shantih Journal ( https://shantihjournal.org/issue-2-2/) put out a call for writing about social justice after the March for Our Lives protest in Washington. I sent them the poem I wrote the day of the shootings, which they graciously published. I would like to think that there has been a change in people’s political will to do something that will end the slaughter of our children, but I fear we are too mired in sclerotic thinking to change. Here is the poem I wrote:

    Today’s Lesson

    “These fragments I have shored against my ruins”

                                        –T. S. Eliot

    my students work over the abstract

    idea of redemption in three stories

    as a preparation for the wasteland

    which we will read for the next class

    one thousand miles away students

    hide as their classmates are killed

    and we are told there is nothing

    nothing we can do except pray

    prayers are useless balms for the dead

    and pale recompense for the living

    who must clean blood from the walls

    and mix memory into the earth

    devoid of hope near an open door

    we are in a hell we have created

    (February 14, 2018)

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