“We are all in the gutter, but some of us are looking at the stars.”
—Oscar Wilde
Late at night, beneath a new moon, after too much cheap vodka and pot, a group of us, friends for most of our lives, gathered out on Tipton Road, a one lane gravel road running between two farms a few miles outside of town. The closest light glowed dimly from a farm house a mile or so in the distance. Infrequently faces were illuminated briefly like angels in old paintings as someone lit a cigarette or another joint only to disappear quickly back into the dark. We talked quietly about impending graduation, going off to college, or jobs, or the military; our parents, our girlfriends, knowing we were all losing touch as we spoke.
As we headed back to the cars, someone said, “Where’s Jackie?” He had wandered off on his own without anyone noticing. We all started calling for him in the dark. No response. We called again, then again: no response. Then faintly from a ditch next to a corn field down the road, we heard him giggle to himself, then shout out, “The stars— Man— look at the stars— look up— the stars are so close.” As one, we all looked up. The stars were brilliant and beatific, as for that moment were we.
We pulled Jackie out of the ditch, staggered to the cars, then finally back into the dark to find our separate ways home.
Here is a madwoman, dancing, while she vaguely remembers something. She longs to possess it, grasping the air with hands broken like branches. As she dances, naked, down the road, the memory tangles through her hair. Between her desire and memory, she can feel herself smudge into darkness. It is something like the smoke that slid long ago through the hallways of the house she once lived in. They were all happy as time flowed around them. They danced to a music that passed between them like birds flitting through branches. He held her then as if she were as fragile as air. Her memory becomes her partner, but not the partner of her memory. He was as solid as stone on the day she first saw him. He arrived with spring’s flowers igniting the air with their passion; its echoes now flow thick like water and ash. Now everything’s cold and winter never ends. His hands were like fire caressing the kindling of her body. Time was eternal and demanded no penance. Their laughter was joyous and private; the children all danced, giggling around them. When the last child died, she wept alone by the fire. Now children chase her and throw stones at her, as if she were a blackbird.
seed text: The Songs of Maldoror, by Le Comte de Lautrémont