
If I hold the truth in my hand,
dare I eat it like the eucharist
placed on the tongue of a simple sinner,
or savor it like a mouthful of bourbon
before it burns the words wholly?
(August 7, 2026)

If I hold the truth in my hand,
dare I eat it like the eucharist
placed on the tongue of a simple sinner,
or savor it like a mouthful of bourbon
before it burns the words wholly?
(August 7, 2026)

details, like mosaics, decades old
around eleven, the adrenaline slow
fall from my red Christmas bike,
ripping skin on loose gravel,
catching the pain across my palms
facts of a sort
followed by conjecture
the sky was winter grey—
I was heading home (from where)
hurriedly (was I late, for what
or just the thrill of speed
or both— fear and joy dancing
together like flames)
perhaps, perhaps
what-ifs’ multitudes unravel
with time and causal doubts
as perhaps twist and spin into now’s
singular, tight, and irretrievable knot
I tell myself I know and knew
the bits of broken glass cohere
but I don’t anymore than I did
I fell, I bled, I must
have made it home
for I am here
(July 20, 2026)

“and there is only the dance”
—T.S.Eliot
each step in this dance
trembles the body
like little orgasmic ripples
across an expansive lake
a small tenuous call
for a redemptive love
in a fragile universe
fleeing from itself
I believe in the tedium
of individual self-expression
as if it truly matters
truth is a smooth pebble
in an ocean alive with
mundane mendacities
(March 21, 2026)

“The heart lies to itself because it must”
—Jack Gilbert
What fragments have been lost
along the way? What holes filled
with other’s dry detritus?
other’s bland conjectures? These limits
become, over time, tattered as well—
perhaps more comfortable and loose,
easier to disguise time’s misgivings;
easier than telling the truth.
(November 21, 2025)

even memory becomes a lie—
that was a truth, and so goes
the old paradox— out of truth
a lie to beget yet another.
The hollowness must be filled.
So, the words fall into the holes
like wet sand, thick and dark
until the voices have stopped;
until the voice becomes itself:
pervasive like white static
smoothing all to a null point
where what we know is allowed.
I know my truth for now:
one thing leads to another
(October 6, 2025)

Most of my lies
belong to me
forming a tight
enameled sarcophagus
in which I will be
remembered.
Others I have
gathered overtime
like dust bunnies
in unused front parlors
tucked softly under chairs.
Like someone else’s
discarded old clothes,
they are obvious,
and fit poorly. Over time,
I have become comfortable
with most of life’s happenstance.
Even now I pretend to know
in my silence, nodding sagely
over other’s conversations,
as if I had some wisdom
beyond circumstance,
allowing their thin opinions
to cling to me, layering
my cold emptiness
beneath wet shrouds.
(March 7, 2025)

if I understood I would not
need to write this moment
i’d simply let the breeze wash
across my skin without metaphor
like morning sunlight strikes
the strings of a silent guitar
(December 18, 2024)

Still Life: Trust as a Form of Truth
In the wooden chair
we use on occasion,
next to a house plant
I forget to water;
yet has lived for years,
sits an old guitar
I cannot play.
It’s out of tune,
I’ve been told;
which could be true—
but how would I know
any more than this?
(September 21, 2024)

“Skoal! with the dregs if the clear be gone.
“wineing the ghosts of yester year.”
—Ezra Pound
Last night conversation flowed
freely between wit and wisdom
as easily as comfortable privilege
protects the occasional faux pas.
What wisdom lacks is the bitterness
left with the dregs at the bottle’s end.
Alone this morning, I slowly collect
the mostly empty bottles scattered
about the house like an archeologist
sifting for hints of a civilization
in the shards of broken pottery.
I wash the dishes, slipping my hand
over the soapy crystal, careful not
to shatter the glass against the sink.
Last night’s Malbec has turned slightly.
I pour a glass, and sip a bit anyway.
Skoal! I am the only one still here.
I swirl the glass ruefully, as ghosts rise
from memory to confirm my sour mood.
Memory, after all, can only reflect
the present. Like the glass, it distorts
any clarity dispersed, any veritas
the wine might once have whispered
like a former lover years after the affair:
a version of reality dependent on what
had been said, and how much confirms
what was suspected, and how much must
be forgotten as a form of forgiveness.
(May 26, 2024)

after Fanny Howe
Lisa’s voice and laughter
Lisa singing by herself
The dogs sleeping nearby
Music playing while I cook
Food with friends’ conversation
Wine whiskey and poetry
Reading and writing
Books where sentences shimmer
Fields of flowers
A single rose in a vase
My children grown into their lives
Autumn and Spring blue skies
Slow walks in art museums
My grandchildren’s laughter
(May 9, 2024)

There is no truth to face;
these circles are closed and reflexive.
War is endless: we walk blindly
through one blooded field or another.
Nothing matters. Her one endless song
is too full of flowers and mockery.
*
I float between sleep
and dreams of sleep.
With no other joys,
no other pleasures,
I sink beneath
waves of dry tears.
(July 18, 2022)

I tell you my truth;
so does he, but his is a lie.
Each morning we both shit,
take a shower, drive to work.
The mundane slaps my face,
as if waking to a wet bed.
In the tea house’s simplicity
the same tales are told nightly.
(May 7, 2022)

What light does one see?
Without the body,
without a place,
without a context?
Truth remains
radiant throughout
a thousand worlds,
silently loquacious.
(April 28, 2022)