
the well offers no echo
for the truth to rise upon
to allow her to step screaming
from the water’s cold depths
to shatter the infinite mirrors
where we live out our lives
(November 1. 2020)
the well offers no echo
for the truth to rise upon
to allow her to step screaming
from the water’s cold depths
to shatter the infinite mirrors
where we live out our lives
(November 1. 2020)
It’s a Familiar Enough Lie
With a headful of sighs,
I move from room to room,
stand in the doorway, then turn,
followed by dark regrets
which waited to slither back
from all the obvious corners.
I promise myself again
as I slip further away:
it will only be a moment;
then days, then years vanish
before the wait will stop,
before I walk out the door.
(September 19, 2020)
from a work in progress: “process, not a journey” (81)
summer bears down
without any ambiguity
of phrase
a crucible burns away
the last impurities
without regard
what remains is ash
which with one puff
vanishes
(July 23, 2020)
from a work in progress, “process, not a journey”(69)
the grey cat sits
on the table by the window
and watches the mockingbird
on the elm outside
.
I watch her patience
today and yesterday
and last week
and think she’s oblivious
to sit so stoically
day after day
without hope
of any desires’
consummation
.
I lose my way each day
throughout the day
thinking of this
then distracted by that
as if the unspecified contains
some mysterious truth
more than a cat
sitting in the sun
(June 28, 2020)
a presumption that all
falls into place as if
metaphor were truth
as if anything
we could say
will lead us home
words are tangents
to themselves
too fast to follow
so I plod along
content with the detritus
I stumble upon
making a trail
wherever my foot falls
(December 30, 2019)
The bees are dying—
Beauty and Truth of Nature?
Who can save us now?
(October 25, 2019)
The lie of my truth
visors the angle
of my descent.
I have no face,
but reflection,
a mirror
to lace assumption’s
discordance.
My flesh contains
shattered selves—
a prismatic array,
where each shard
bends an image
of itself into another.
This truth lies
along an edge
of broken glass;
it slices the air
with ribbons of light,
like tall grass
cuts children’s legs
as they flee through
the last summer fields.
(August 15, 2019)
Yielding more
than simple correspondences,
or letters marked in a ledger,
words bend fields
through which we see
distortions and clarities
reflected like sunlight
in a waterfall’s spume.
they reveal and cloak
certainties in our unease
with what we should believe
as true, and what we know
to be a lie as we speak.
(July 29, 2019)
My story is true in so far
as it is my story. The lines
I must maintain for my belief
to be justified are many.
I fear questions lest it all falls
like a child’s tower of blocks falls,
tumbled across unstable ground.
Although I know that the truth lies
for I formed each one on my own,
turning them over and over
like rosary beads until smooth,
they still allow me to believe
each stone lies firmly on the next.
With no one to doubt what I say,
the facade I have built is real
I explain to myself myself:
I live forms of happiness
As long as the ever after,
and the hero is always me.
(June 30, 2019)
from “Renditions of Change,” a work in progress
To be there. To bear witness:
one tells one’s story— That’s all!
That is how evil falls— Again
and again— tell one’s story.
(June 5, 2019)