
days arise and fall
as time flows
without direction
and I don’t know
what season has come
or if there is a beginning
or an end this time round
(February 26, 2026)

days arise and fall
as time flows
without direction
and I don’t know
what season has come
or if there is a beginning
or an end this time round
(February 26, 2026)

i don’t know
he says to himself
about nothing in particular
and then smiles
for he knows
for once he’s right
(February 25, 2026)

“the world is too much with us”
-W. Wordsworth
no longer the getting and blind spending
though that is still here teeming at our feet
like low-level radiation leaking
into the spongey ground we walk upon
but the powerful’s thick drooling anger
flailing curses wildly on everyone
that does not resemble their idea
of a pastoral past they never knew
this is the time I have come to live in
a time where the soft smell of hope lingers
like a dusty corpse left alone at home
when to be cloaked in ironic disdain
is to disguise an intellectual
self-revulsion that equivocates death
(January 10, 2026)

What do I do
with the I here,
with the voice here,
with an other
who is just me;
yet, not as well?
For so long now,
I have written
into my life
out of my life;
I know myself
as different,
something other
than what I write.
Someone must breathe
behind these words,
must speak slowly
to understand.
What is being
sotto voce?
Am I speaking?
Or listening?
What tight constraints
must be applied
in order to say
that I am here?
(January 7, 2026)

The full moon’s near Jupiter—
as if I can know
what someone else has told me.
I believe and see
the sky unfold around me,
each star in its place
fixed tightly with divine faith.
I know only this:
my truth is only my truth.
The chihuahua knows
he must go into the dark;
I open the door.
He barks at a Great-horned owl
who stares into the cold night.
(January 4, 2026)

I finished The Wonderful O by James Thurber this afternoon. Thurber is so silly and delightful, while being deeply profound. The Wonderful O, like the other fables of Thurber is marketed as books for children, when they are far from sole audience. The Wonderful O is about two pirates who sail on the ship Aeiu, and hate the vowel O. They are searching for hidden treasure on the island of Ooroo. When they cannot find what they seek, they ban all words which contain the letter O. Cnfusin and Chas descend. The pirates become more and more oppressive with their hatred for O. The people resist, and eventually win out by holding on to four important words which contain O—Hope, Love, Valor, and what is seen as the most important word—Freedom.
It is obviously a fable for our own times although written 68 years ago.

Memory is all that we are,
and all that we are is what
we remember. These days
I often forget why I enter
a room as I enter. I’m forced
to wait on the blurred past
with its dead possibilities
to catch up to my present.
We sit comfortably couched
about the room. We confess
our stories again, shifting
scenes to allow for shapes
which differ, to be polite,
from others in other rooms.
(December 28, 2025)

There is a difference he implied
between what you do— (write
your poems), and this book—
which had been published
and which he now held out
(like a capitalist Eucharist)
before him as empirical evidence
of his claim’s veracity; the attention
toward profundity, cannot simply be.
Cannot simply happen. As if
there were no luminescence
inherent in the creative act,
no value to the happenstance.
Yet it does happen,
as we happen. The ineffable silence
fills in what cannot be said—
no matter the credentials, or what
god waits to make the first move.
The writing, the process, the evolution
of the text opens the word into light,
and power, and even glory
as has been done forever and ever.
(December 23, 2025)

a turn away
from pursuit
from a life
from himself
an escape
from others
from definition
from self-immolation
a denial
of projection
of supposition
of expectation
a purge
of arrogance
of shame
of the soul’s anger
a belief
in the present
in hope
in simplicity
a meaning
in the chaos
in the day
in himself
a direction
toward difference
toward laughter
toward each other
a movement
toward trust
toward friends
toward love
(December 9, 2025)
by

a soft drought-ending rain
falls overnight
and into the morning
one lives
within the moment
only
when one understands
there is nothing
to stand under
and lets the rain
without metaphor
wash over you
(December 8, 2025)

“The heart lies to itself because it must”
—Jack Gilbert
What fragments have been lost
along the way? What holes filled
with other’s dry detritus?
other’s bland conjectures? These limits
become, over time, tattered as well—
perhaps more comfortable and loose,
easier to disguise time’s misgivings;
easier than telling the truth.
(November 21, 2025)