from a work in progress, “process, not a journey” (42,43)

everyday today
flowers bloom
.
.
fortune
a rose lies
crushed
in the wheel’s
rut
(March 22, 2020)
by
from a work in progress, “process, not a journey” (42,43)

everyday today
flowers bloom
.
.
fortune
a rose lies
crushed
in the wheel’s
rut
(March 22, 2020)
by

I read this morning that Hemingway said that better writers didn’t talk about their writing; I think it is often important to reflect on what one is doing as one writes: metacognition to use education jabber. So, fuck off Ernie.
I started a serial poem back at the beginning of January. The plan was to write 140 poems, each poem’s length is pre-determined by a random number generator, ranging from 3-140 syllables. It was to follow vaguely the rules of a renga, where each poem grew out of the one before it somehow, weather through theme, pun, image, or a reply. The number of poems was determined by the number of syllables in a sonnet.
I have come to the end of the first “stanza” section—40 poems. The last poem in the section #40, ‘rhymes’ with (39), (20), and (1); as (10) and (30) ‘rhyme—in an attempt to create an overall section unity. I will now begin to move forward with the second ‘stanza’ while collecting and tightening section 1, in hopes that as I reread and work over section 1, the themes and ideas that emerged in section one will echo and grow organically in section two: a conversation between sections one and two, if you will, as section two talks to itself.
Well, it keeps me something to do, and think about if nothing else.
(March 22, 2020)
by
a friend’s letter from overseas
from a work-in-progress, “process, not a journey” (41)

cold rain
brings spring
her post arrives
too brief
yet still hope
(March 21, 2020)
by
from a work-in-progress: process, not a journey (40)

blue bonnets bloom in the backyard
as a new plague floods the city
I fear all that has changed enough
to become a normal day yet forget
what patterns have been replaced
by emptiness reweaving a past
which should have existed like flowers
found pressed between the pages
of a favorite book marking the poem
you read to me when we were in love
instead of these tattered nets I mend
as best I can from wisps of memory
in the hope a better world will blossom
like the wild flowers in the backyard
(March 20, 2020)

from a work-in-progress: “process not a journey” (38)
seed pods drift destroying
the dandelion’s soft unity
days slip past and I remember
less and less who I have become
.
I too am pulled apart
as memory’s long strands float
away like red silk scarves
on a late winter’s wind
(March 19, 2020)

The pursuit of happiness
provides a simple delusion
that happiness exists; and
that, if we continue chasing
blindly behind this empty
flag, we shall one day trip
over it as over a rock,
and fall into eternal bliss.
So, we run on, full of purpose
and dread, as if encased
in a cloud of angry bees.
(March 18, 2020)
from a work-in-progress: process, not a journey (38)

I like the silence of morning the slow hum
of the refrigerator from the kitchen
the soft purr of the cat curling around me
as I wait for the coffee pot to finish
it is there beneath all of these sundry sounds
that the true weight of silence can be measured
as each strain’s lifted from the cacophony
and there’s nothing left but the strum of our blood
(March 11, 2020)
by

“My life could have turned out differently, but it didn’t.”
–Jim Harrison
“I live with my contradictions intact”
–David Ignatow
“I’ve got to lose this skin I’m imprisoned in”
–The Clash
“Didn’t nobody seem to know me, babe, everybody pass me by”
–Robert Johnson
It is easy to trace the twisted path which led me to where I am; however, it is a bit more difficult to see where I am going next.
An obnoxious student asked me last week, in regards to this assignment, what my “rock” was. In my usual evasive fashion, I responded, “You are” meaning all of them, my students were my rock. However, even though I enjoy teaching most of the time, when I think of why I do what I do, or rather who I am, I don’t think about teaching. I have several roles I have taken on over the years: husband, father, friend, teacher, student, doctoral student, writer, poet, fool. I don’t think I am a Prufrock, yet, sometimes I feel as if I am no more than a sad man walking along the beach with my trousers rolled. Having a meaning or purpose, it is often said, leads to a happy (ier) life. With that in mind I guess, I would say that teaching gives me some of my purpose, and poetry gives it meaning, or helps me to create a meaning, to create sense out of chaotic universe.
Recently a friend wrote that she had a hard time calling herself a writer, even though I know she writes and writes well. A few years ago, a woman at the first meeting of a poetry group said she did not feel as if she could call herself a poet. I had just said as part of my introduction of myself that I had considered myself a poet since I was fifteen. She seemed shocked that I would have the audacity to call myself a poet. This inability to call oneself what one does came up again in another conversation between teachers. One man said that it felt somehow pretentious to call oneself a poet or a writer. I asked the group how was it any more pretentious to say you were a poet than to say you were a teacher. To me it seemed more pretentious to lay claim to that title, to say, “I am a teacher.” I mean Jesus was a teacher. Who the hell am I? But I have over time become used to being called arrogant, so I guess that is why I have an easy time saying: I am both: a teacher and a poet. I don’t claim to be very good at either one, but I am both. Charles Bernstein said that if one says it is a poem, then it is a poem. No claims to quality, but it is a poem. I am a poet. I sit down with the intention of writing a poem. I think about each line, the rhythm, the sounds of the words in relation to the other words, the phrasing, where I can cut and reduce, where something else needs to be added. I use poetry as a way of making sense of myself and the world I find myself in. As I have said elsewhere, poetry (both reading and writing it) helps keep the horrors of the world away and a way to find beauty everywhere and in everyone. I have consciously written poetry since I was fifteen; with luck, I will continue to do so the rest of my life. I am a poet.
Of course, I am also a teacher. If some magical seer had appeared to me when I was a 17-year-old senior, and told me that I would be a teacher for more than 30 years, I would have laughed out loud just before dying in horror. Yet, here I am working at one of the best high schools in Texas as the senior APLit teacher. Sartre famously wrote about a waiter at a Parisian café. The waiter, according to Sartre, is only a waiter when he is performing as a waiter. So, following that train of thought, I am only a teacher when I am at work talking to my students. I rarely think about being a teacher. It is still, after more than 30 years, difficult to think about me being a teacher. I suppose my life as a teacher would be inauthentic since I don’t think about why I do this beyond making enough to feed my children, pay the mortgage, and send them off to college. Yet, in some small way I like to believe that what I do matters, even though I know it probably doesn’t.
Maya Angelou said you remember how people made you feel, not what you learned. I think that is why when my former students run into me at HEB, or they come back to visit, they remember my class fondly. A few weeks ago, I was having a beer with a friend when I man in his thirties approached and asked if I was Mr. Neal, as if he were a process server for some lawsuit. It was odd to say the least. When I answered yes, he told me that he had been in my class when he was an eighth-grade student at Pflugerville Middle School. He said he heard my voice, and knew it was me. He remembered “The Road Not Taken.” (I used to have my students memorize poems). He said the first few lines. He said that had been his best English class, which I found embarrassing and kind of sad—his best English class was as an eighth grader.
I am not retelling this event as an attempt at self-aggrandizement, but to show how one’s self-identity is often much different than how the world sees you. I am always uncomfortable when people try to define me to me. I find their descriptions to be too pat, too much mired in the cliché, too many wrong associations. I am a teacher, and I feel in some small way I am helping create a better world with my students; yet, I never really know what it is I am doing.
In a faculty meeting, several times, I have stated I don’t have any idea what my students are taking away from my class. In an age of standardized testing, to say I don’t know what my students learn in my class is tantamount to heresy. I don’t mean I don’t know what it is I am doing in class; I just don’t know what it is they are learning. And I certainly don’t see them as the number they receive on standardize tests. I have had students tell me years after being in my class what they remember. It is always surprising to me what they found valuable, because it is never really what the objectives were in the class.
When people ask what it is I teach, they mean what books are we reading. They seem confused when I talk about my students. My students are what (who) I teach. Books, poems, essays, are just the ephemera of my class. The tools that are employed in the teaching. About 15 years ago, I would respond glibly to my fellow teachers when I was asked what I was teaching that six weeks with “Nothing.” My students read what they wanted to read, and for the most part wrote what they wanted to write. I ran my class as a reading/writing workshop. The district where I worked claimed that ELA did workshop k-12, yet I was the only teacher in my high school who did. So it often took several weeks to teach the students how to read on their own, to have the stamina to read for 20 minutes without interruption. So, one day after the students were fairly proficient at the process, I was sitting on the floor in the doorway to my class. I was monitoring the students who read in the hall, and the ones who stayed in my classroom. A history teacher walked by and said snarkily, “I wish I could not teach, and sit around all day and just read.” My students were on the verge of rising up against her, when I mumbled (they had learned to understand my mumbling at that point as well)—I mumbled in response to her, “One would have to know how to read first.’ She walked on, not hearing what it was I had said, and the students laughed as they settled back into their books. I developed a reputation with the faculty pretty much as a smart-ass. Not that they were wrong, but I interpreted what they saw as smart-assness, as more of a way not to scream expletives at them. I refused to accept their definition of what it meant to be a teacher. I created my own definition. Even if some of that definition was simply a defiant rebellion against my fellow teachers.
I do think a lot about what I am doing both as a teacher and writer. So, I imagine I am attempting to be authentic in what I am doing. I question whether my praxis (my beliefs correspond with my actions) is authentic..not just me going with the flow because that is the easy way to go about life. As I said earlier, I am never sure if what I do is effective or worth doing at all. I will fluctuate between thinking I am a decent teacher, or writer, to thinking I am a fraud, fooling everyone, even myself.
And that is the point I think of life: to try to be brutally honest with oneself, to never settle back and assume you know what it is all about, because one can never know. Which is not to say that we should not try to understand our lives, we should always be trying, even if we know we shall never know. Embrace the vast absurdity of the universe with a passionate intensity, not matter how pointless. It is the process and the awareness of the life you are living that makes the life have meaning and be worth living.
by
from a work in progress, “process, not a journey” (35-37)

resonance
the cold rail vibrates
beneath his hand
.
It’s inevitable
he stands and waits
.
Time Enough
patience sips her tea
as she watches
the bees flit and hover
among the roses in her garden
.
a breeze shifts the leaves
to the left and right
.
as above so below
morning breaks
pink and blue
beneath the ragged clouds
as the wind chime
in the chase tree
ripples through the yard
(March 6, 2020)
by

He entered the water,
and drowned.
She entered the earth,
and decayed.
He entered the fire,
and was consumed.
She simply vanished
into the air.
Between her words
and the sediments
of his desires,
they were transformed,
becoming more the other
and less themselves.
Like beasts who love
in shadow’s spheres,
they entered metaphor,
and returned home.
(March 5, 2020)
from a work in progress: “process, not a journey” (34)

as i drive to work each day
at eighty miles per hour i slip
between concrete meridians
and rattling White Freight Liners
the eighteen wheelers heave
and pitch in the next lane
like fat cattlemen at an auction
on the radio news of war
and poverty of graft and greed
play out like melodramas
without an easy denouement
the girl remains on the tracks
the train bears down the villian
laughs world without end
among the grass beside the road
my ghosts slowly sing in whispers
this is the time we have become
this is our time to overcome
(March 4, 2020)

they said, then she said, and can you believe
it that this happened, then that happened too,
and I said that she should say, but then she
went and said that this was just way too much
to stand, much less believe like Santa Claus;
I am so upset that I stabbed myself
with my pen, and wondered if I would die:
but first answer me this: “if you’re tattooed
on your lip, do you have to hold the lip
the whole time, or do they do that for you?”
as she stared into space holding her lip
lost in the quandaries of everything
not involved with the task which was right there,
and not there like an answered Zen koan.
(February 28, 2020)
by
from a work in progress: “process, not a journey” (33)

I have
no
control
(February 28, 2020)