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My Poetry and Commentary on Life

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  • Bread Loaf Influence
  • Rock and Roll High School
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  • two small poems

    by

    change, difference, life, meditation, nature, paradigm shifts, paradigms, patterns, poetry, process, process, not a journey, renga, transition, work in progress

    from a work in progress, “process, not a journey” (42,43)

    everyday today

    flowers bloom

    .

    .

    fortune

    a rose lies

    crushed

    in the wheel’s 

    rut

    (March 22, 2020)

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  • Writing About Writing My Work in Progress

    by

    obsessions, paradigms, patience, patterns, poetry, process, process, not a journey, work in progress

    I read this morning that Hemingway said that better writers didn’t talk about their writing; I think it is often important to reflect on what one is doing as one writes: metacognition to use education jabber. So, fuck off Ernie.

    I started a serial poem back at the beginning of January. The plan was to write 140 poems, each poem’s length is pre-determined by a random number generator, ranging from 3-140 syllables. It was to follow vaguely the rules of a renga, where each poem grew out of the one before it somehow, weather through theme, pun, image, or a reply. The number of poems was determined by the number of syllables in a sonnet. 

    I have come to the end of the first “stanza” section—40 poems. The last poem in the section #40, ‘rhymes’ with (39), (20), and (1); as (10) and (30) ‘rhyme—in an attempt to create an overall section unity. I will now begin to move forward with the second ‘stanza’ while collecting and tightening section 1, in hopes that as I reread and work over section 1, the themes and ideas that emerged in section one will echo and grow organically in section two: a conversation between sections one and two, if you will, as section two talks to itself.

    Well, it keeps me something to do, and think about if nothing else.

    (March 22, 2020)

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  • a friend's letter from overseas

    by

    chance, change, friends, hope, life, paradigms, patterns, poetry, process, process, not a journey, spring, work in progress

    a friend’s letter from overseas

    from a work-in-progress, “process, not a journey” (41)

    cold rain

    brings spring

    her post arrives

    too brief

    yet still hope

    (March 21, 2020)

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  • winter’s end

    by

    broken, chance, change, doubt, erasure, fear, hope, life, meditation, paradigm shifts, patterns, poetry, process, process, not a journey, work in progress

    from a work-in-progress: process, not a journey (40)

    blue bonnets bloom in the backyard

    as a new plague floods the city

    I fear all that has changed enough

    to become a normal day yet forget

    what patterns have been replaced

    by emptiness reweaving a past

    which should have existed like flowers

    found pressed between the pages

    of a favorite book marking the poem

    you read to me when we were in love

    instead of these tattered nets I mend

    as best I can from wisps of memory

    in the hope a better world will blossom

    like the wild flowers in the backyard

    (March 20, 2020)

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  • dismantle

    by

    broken, chance, change, melodrama, patterns, poetry, process, process, not a journey, transition

    from a work-in-progress: “process not a journey” (38)

    seed pods drift destroying

    the dandelion’s soft unity

    days slip past and I remember

    less and less who I have become

    .

    I too am pulled apart

    as memory’s long strands float

    away like red silk scarves

    on a late winter’s wind

    (March 19, 2020)

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  • Belief Leads Us On

    by

    acceptance, belief, delusion, happiness, life, poetry

    The pursuit of happiness

    provides a simple delusion

    that happiness exists; and

    that, if we continue chasing

    blindly behind this empty

    flag, we shall one day trip

    over it as over a rock,

    and fall into eternal bliss.

    So, we run on, full of purpose

    and dread, as if encased

    in a cloud of angry bees.

    (March 18, 2020)

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  • one

    by

    change, clarity, difference, erasure, metaphor, obsessions, patience, poetry, process, process, not a journey, work in progress

    from a work-in-progress: process, not a journey (40)

    for years years ago

    I thought about amoebas

    .

    how I wanted a metaphor

    which would work well

    .

    with the amoeba image

    to surround and absorb

    .

    until there was no difference

    to contrast a comparison

    .

    no space between to slip

    a prosaic definition

    .

    where on wanders safely

    through dusted hallways

    .

    and life’s sharp ambiguity

    blends into one

    (March 16, 2020)

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  • allegory

    by

    change, delusion, doubt, fear, identity formation, meditation, metaphor, paradigms, patterns, poetry, process, process, not a journey, thinking

    from a work-in-progress: process, not a journey (39)

    each day the shadow

    fluctuates

    each day

    I cover my face

    from fear

    of the shadow

    from anger

    from humiliation

    that no one sees

    rising and falling

    with accusations

    to be some other

    as candle flames

    flicker a wall

    (March 12, 2020)

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  • excise

    by

    life, patience, poetry, process, process, not a journey, silence, solitude

    from a work-in-progress: process, not a journey (38)

    I like the silence of morning the slow hum

    of the refrigerator from the kitchen

    the soft purr of the cat curling around me

    as I wait for the coffee pot to finish 

    it is there beneath all of these sundry sounds

    that the true weight of silence can be measured

    as each strain’s lifted from the cacophony

    and there’s nothing left but the strum of our blood

    (March 11, 2020)

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  • “Rock Rock Rock Rock and Roll High School”

    by

    assignment, belief, doubt, education, essay, existential angst, happiness, identity formation, life, meditation, memoir, school, school existential angst, teaching, work, writing

    “My life could have turned out differently, but it didn’t.”

                      –Jim Harrison

    “I live with my contradictions intact”

             –David Ignatow

    “I’ve got to lose this skin I’m imprisoned in”

                      –The Clash 

    “Didn’t nobody seem to know me, babe, everybody pass me by”

                      –Robert Johnson

    It is easy to trace the twisted path which led me to where I am; however, it is a bit more difficult to see where I am going next. 

    An obnoxious student asked me last week, in regards to this assignment, what my “rock” was. In my usual evasive fashion, I responded, “You are” meaning all of them, my students were my rock. However, even though I enjoy teaching most of the time, when I think of why I do what I do, or rather who I am, I don’t think about teaching. I have several roles I have taken on over the years: husband, father, friend, teacher, student, doctoral student, writer, poet, fool. I don’t think I am a Prufrock, yet, sometimes I feel as if I am no more than a sad man walking along the beach with my trousers rolled. Having a meaning or purpose, it is often said, leads to a happy (ier) life. With that in mind I guess, I would say that teaching gives me some of my purpose, and poetry gives it meaning, or helps me to create a meaning, to create sense out of chaotic universe.

    Recently a friend wrote that she had a hard time calling herself a writer, even though I know she writes and writes well. A few years ago, a woman at the first meeting of a poetry group said she did not feel as if she could call herself a poet. I had just said as part of my introduction of myself that I had considered myself a poet since I was fifteen.  She seemed shocked that I would have the audacity to call myself a poet.  This inability to call oneself what one does came up again in another conversation between teachers. One man said that it felt somehow pretentious to call oneself a poet or a writer.  I asked the group how was it any more pretentious to say you were a poet than to say you were a teacher. To me it seemed more pretentious to lay claim to that title, to say, “I am a teacher.” I mean Jesus was a teacher. Who the hell am I? But I have over time become used to being called arrogant, so I guess that is why I have an easy time saying:  I am both: a teacher and a poet.  I don’t claim to be very good at either one, but I am both. Charles Bernstein said that if one says it is a poem, then it is a poem. No claims to quality, but it is a poem.  I am a poet.  I sit down with the intention of writing a poem.  I think about each line, the rhythm, the sounds of the words in relation to the other words, the phrasing, where I can cut and reduce, where something else needs to be added. I use poetry as a way of making sense of myself and the world I find myself in. As I have said elsewhere, poetry (both reading and writing it) helps keep the horrors of the world away and a way to find beauty everywhere and in everyone. I have consciously written poetry since I was fifteen; with luck, I will continue to do so the rest of my life. I am a poet.

    Of course, I am also a teacher. If some magical seer had appeared to me when I was a 17-year-old senior, and told me that I would be a teacher for more than 30 years, I would have laughed out loud just before dying in horror. Yet, here I am working at one of the best high schools in Texas as the senior APLit teacher. Sartre famously wrote about a waiter at a Parisian café. The waiter, according to Sartre, is only a waiter when he is performing as a waiter. So, following that train of thought, I am only a teacher when I am at work talking to my students. I rarely think about being a teacher. It is still, after more than 30 years, difficult to think about me being a teacher.  I suppose my life as a teacher would be inauthentic since I don’t think about why I do this beyond making enough to feed my children, pay the mortgage, and send them off to college. Yet, in some small way I like to believe that what I do matters, even though I know it probably doesn’t. 

    Maya Angelou said you remember how people made you feel, not what you learned. I think that is why when my former students run into me at HEB, or they come back to visit, they remember my class fondly. A few weeks ago, I was having a beer with a friend when I man in his thirties approached and asked if I was Mr. Neal, as if he were a process server for some lawsuit. It was odd to say the least. When I answered yes, he told me that he had been in my class when he was an eighth-grade student at Pflugerville Middle School. He said he heard my voice, and knew it was me. He remembered “The Road Not Taken.” (I used to have my students memorize poems). He said the first few lines. He said that had been his best English class, which I found embarrassing and kind of sad—his best English class was as an eighth grader. 

    I am not retelling this event as an attempt at self-aggrandizement, but to show how one’s self-identity is often much different than how the world sees you.  I am always uncomfortable when people try to define me to me. I find their descriptions to be too pat, too much mired in the cliché, too many wrong associations. I am a teacher, and I feel in some small way I am helping create a better world with my students; yet, I never really know what it is I am doing. 

    In a faculty meeting, several times, I have stated I don’t have any idea what my students are taking away from my class. In an age of standardized testing, to say I don’t know what my students learn in my class is tantamount to heresy. I don’t mean I don’t know what it is I am doing in class; I just don’t know what it is they are learning. And I certainly don’t see them as the number they receive on standardize tests.  I have had students tell me years after being in my class what they remember. It is always surprising to me what they found valuable, because it is never really what the objectives were in the class. 

    When people ask what it is I teach, they mean what books are we reading. They seem confused when I talk about my students. My students are what (who) I teach. Books, poems, essays, are just the ephemera of my class. The tools that are employed in the teaching. About 15 years ago, I would respond glibly to my fellow teachers when I was asked what I was teaching that six weeks with “Nothing.” My students read what they wanted to read, and for the most part wrote what they wanted to write. I ran my class as a reading/writing workshop. The district where I worked claimed that ELA did workshop k-12, yet I was the only teacher in my high school who did. So it often took several weeks to teach the students how to read on their own, to have the stamina to read for 20 minutes without interruption. So, one day after the students were fairly proficient at the process, I was sitting on the floor in the doorway to my class. I was monitoring the students who read in the hall, and the ones who stayed in my classroom. A history teacher walked by and said snarkily, “I wish I could not teach, and sit around all day and just read.” My students were on the verge of rising up against her, when I mumbled (they had learned to understand my mumbling at that point as well)—I mumbled in response to her, “One would have to know how to read first.’ She walked on, not hearing what it was I had said, and the students laughed as they settled back into their books. I developed a reputation with the faculty pretty much as a smart-ass. Not that they were wrong, but I interpreted what they saw as smart-assness, as more of a way not to scream expletives at them. I refused to accept their definition of what it meant to be a teacher. I created my own definition. Even if some of that definition was simply a defiant rebellion against my fellow teachers.

    I do think a lot about what I am doing both as a teacher and writer. So, I imagine I am attempting to be authentic in what I am doing. I question whether my praxis (my beliefs correspond with my actions) is authentic..not just me going with the flow because that is the easy way to go about life. As I said earlier, I am never sure if what I do is effective or worth doing at all. I will fluctuate between thinking I am a decent teacher, or writer, to thinking I am a fraud, fooling everyone, even myself. 

    And that is the point I think of life: to try to be brutally honest with oneself, to never settle back and assume you know what it is all about, because one can never know. Which is not to say that we should not try to understand our lives, we should always be trying, even if we know we shall never know. Embrace the vast absurdity of the universe with a passionate intensity, not matter how pointless. It is the process and the awareness of the life you are living that makes the life have meaning and be worth living.

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  • Three poems

    by

    attention, change, fate, hope, meditation, patience, poetry, process, process, not a journey, renga, work in progress

    from a work in progress, “process, not a journey” (35-37)

    resonance

    the cold rail vibrates

    beneath his hand

    .

    It’s inevitable

    he stands and waits

    .

    Time Enough

    patience sips her tea

    as she watches

    the bees flit and hover

    among the roses in her garden

    .

    a breeze shifts the leaves

    to the left and right

    .

    as above so below

    morning breaks

    pink and blue

    beneath the ragged clouds

    as the wind chime

    in the chase tree

    ripples through the yard

    (March 6, 2020)

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  • What Each Transition Leaves Behind

    by

    borders, change, liminal, loss, love, meditation, paradigm shifts, poetry, relationships

    He entered the water,

    and drowned.

    She entered the earth,

    and decayed.

    He entered the fire,

    and was consumed.

    She simply vanished

    into the air.

    Between her words

    and the sediments

    of his desires,

    they were transformed,

    becoming more the other

    and less themselves.

    Like beasts who love

    in shadow’s spheres,

    they entered metaphor,

    and returned home.

    (March 5, 2020)

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  • politics of fear

    by

    life, meditation, poetry, politics, prayer, process, process, not a journey, work in progress

    from a work in progress: “process, not a journey” (34)

    as i drive to work each day

    at eighty miles per hour i slip

    between concrete meridians

    and rattling White Freight Liners

    the eighteen wheelers heave

    and pitch in the next lane

    like fat cattlemen at an auction

    on the radio news of war

    and poverty of graft and greed

    play out like melodramas

    without an easy denouement

    the girl remains on the tracks

    the train bears down the villian

    laughs world without end

    among the grass beside the road

    my ghosts slowly sing in whispers

    this is the time we have become

    this is our time to overcome

    (March 4, 2020)

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  • Drama-Drama Mama Gets Dramatic Instead of Writing a Poem

    by

    life, melodrama, poetry, students, teaching, zen

    they said, then she said, and can you believe 

    it that this happened, then that happened too,

    and I said that she should say, but then she 

    went and said that this was just way too much 

    to stand, much less believe like Santa Claus;

    I am so upset that I stabbed myself

    with my pen, and wondered if I would die:

    but first answer me this: “if you’re tattooed

    on your lip, do you have to hold the lip

    the whole time, or do they do that for you?”

    as she stared into space holding her lip 

    lost in the quandaries of everything 

    not involved with the task which was right there,                                                

    and not there like an answered Zen koan.

    (February 28, 2020)

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  • mantra

    by

    acceptance, attention, chance, control, fate, life, poetry, process, process, not a journey

    from a work in progress: “process, not a journey” (33)

    I have

    no

    control

    (February 28, 2020)

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