
My story distorts
the line. The quick
break bends the more
reasoned with its
slow plodding grace,
until it too
puddles like ice.
Then uncertain
steps, upon the
open window’s
edge, slip to air,
and the long fall
feels like freedom.
(April 13, 2018)
by

My story distorts
the line. The quick
break bends the more
reasoned with its
slow plodding grace,
until it too
puddles like ice.
Then uncertain
steps, upon the
open window’s
edge, slip to air,
and the long fall
feels like freedom.
(April 13, 2018)

as antecedents of us
you are me as we
as he and she are they
one can be apart
as two opens a third
into myriad spaces
thus between places
some other grows
neither you nor me
yet somehow more
than we or they
somehow something
more than other
than something else
(April 10, 2018)

Rimbaud stopped writing
around the age of twenty-one.
I have become old.
(April 6, 2018)
by

“Good answers are wasted on a fool”
–Ann Carson, Dionysos, Bakkhi
Often when I look up from my work
lost in thought, I can suddenly see
with a transformed clarity. I shake
my head as if I could align my
thought with the banal world around me,
like a child peering through a knot hole
in a fence tries to see the wider
world beyond his parental control.
I have no answers for the questions
I am too slow to ask. I’ve wasted
days disentangling the tedious
explanations of fools who believe
if they plod through their expositions
one more time, stopping along the way
to dissect each obvious point, then
I will arrive at the mistake they
metastasized into long ago.
But I don’t, and I am way too tired
to answer why, too worn from shaking
the same tree to find the exact fruit
they will refuse, once again, to eat.
So, I shift my eyes and go along,
blithely humming my discordant song.
(April 4, 2018)

“and the night is coming on,
which has no hope of dawn”
–Anna Akhmatova
I lost myself
out of myself
like a sleeve
slips over skin,
a new coat
to hide within.
One is more
than one’s
manifold
projections,
convex
reflections,
staid
contradictions.
I lost myself
in a storm,
my broken arms
flailing the wind
with a whirlygig’s
frantic clacking.
I lost myself
again, too often,
too easily—
donning disguises:
losing myself
out of myself
without myself—
broken, alone.
(March 30, 2018)
by

I’m not sure I do much,
but open doors, set up chairs,
provide a place to read,
talk, write; which is enough
and yet, is not enough
to beat back the belligerence
barking like a spittle-flecked
beast. I can’t save them
from what is to come,
nor always be there to speak
amiably into their distress,
and voiceless traumas.
But there is this room,
an open door, and a chair.
(March 27, 2018)
by

a gathering of fears
like strands of mist
collected to a fog
to drape the landscape grey
these are my intuitions
the way I move the dark
my hand outstretched
as if looking for a friend
in an incomplete gesture
toward a familiar stranger
yes it is her wait but no
then I quickly look away
these are my truths
vaguely concrete
(March 24, 2018)

I hone a knife
against my arteries’
thrum. The blood
slips a sacrifice
into a broken cup.
Worse than a cliché,
I am my own cliché,
a banal aggregate
waltzed about
in a leaky sack.
I vaguely sing
along discordantly,
not truly knowing
the words to my song.
(March 21, 2018)

he looks for a different door
in rooms without walls
in rooms which don’t exist
for exits to other spaces
traces of other selves
still trapped in former places
between the comings and goings
everything occurs off stage
implied in his scripted lines
yet here there is no drama
no audience no fourth wall
nor any walls to cross at all
he exists here now like you
alone with no place to go
(March 18, 2018)

are you listening
I’m not sure
I am
another other
who can hear
such whispers
wake the dead
from uncertain ground
you are as I
another other
with an answer
without question
for anyone else
to stand upon
(March 17, 2018)